Philosophies of Richard Wagner

Name: Philosophies of Richard Wagner
SKU: 9780739199947
Price: 799 SEK
Availability: InStock
Author: Julian Young
ISBN: 9780739199947

Häftad, Engelska, 2016

AvJulian Young

799 kr

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In addition to being a great composer, Richard Wagner was also an important philosopher. Julian Young begins by examining the philosophy of art and society Wagner constructs during his time as a revolutionary anarchist-communist. Modernity, Wagner argued, is to be rescued from its current anomie through the rebirth of Greek tragedy (the original Gesamtkunstwerk) in the form of the “artwork of the future," an artwork of which his own operas are the prototype. Young then examines the entirely different philosophy Wagner constructs after his 1854 conversion from Hegelian optimism to Schopenhauerian pessimism. “Redemption” now becomes, not a future utopia in this world, but rather “transfigured” existence in another world, attainable only through death. Viewing Wagner’s operas through the lens of his philosophy, the book offers often novel interpretations of Lohengrin, The Ring cycle, Tristan und Isolde, Die Meistersinger, and Parsifal.Finally, Young dresses the cause of Friedrich Nietzsche’s transformation from Wagner’s intimate friend and disciple into his most savage critic. Nietzsche’s fundamental accusation, it is argued, is one of betrayal: that Wagner betrayed his early, “life affirming” philosophy of art and life in favor of “life-denial." Nietzsche’s assertion and the final conclusion of the book is that our task, now, is to “become better Wagnerians than Wagner.”

Produktinformation

Utgivningsdatum2016-05-04
Mått155 x 226 x 12 mm
Vikt263 g
FormatHäftad
SpråkEngelska
Antal sidor170
FörlagBloomsbury Publishing Plc
ISBN9780739199947

Tillhör följande kategorier

Musikböcker inom Kultur
Filosofiska discipliner inom Filosofi och religion

Young here presents the results of extensive research into Wagner's philosophical writings. Perhaps the most surprising thing one learns is that Wagner had a relatively clear and coherent philosophy. In fact, Wagner’s philosophy evolved over time, and he always saw himself as more than a composer of operas. Early on, Wagner, influenced by Hegel, maintained that art and music could play a key role in changing the world for the better. Later, his philosophical intuitions and artistic aims would be molded by Schopenhauer’s pessimistic but redemptive views of music. Today, Wagner would be saddened, though perhaps not surprised, to find that most of his operas are heard only by the affluent—a situation that is the antithesis of what he was trying to do. Young’s straightforward writing style is more than welcome in explaining 19th-century German philosophical concepts, which can get very complex very fast. This book is beautifully written, clear, and concise. Summing Up:Highly recommended. Upper-level undergraduates and above.