This edited volume is likely to provoke much-needed debate about the relationship between philosophy and fashion. Using a philosophical lens, the authors address and push questions with which fashion theorists have been grappling: is anti-fashion a useful concept in fashion criticism? Is there, or can there be, an essence of fashion? To what extent can fashion be understood as a dialectic between imitation and differentiation? To what extent does fashion rely on ambivalence and ambiguity? Philosophical Perspectives on Fashion will be a welcome addition to the literatures on fashion and philosophy alike.