Burcu Baykan, Trinity College Dublin, Ireland Dan Bergin, Independent Scholar, Ireland Amy Voris, Independent Artist, Manchester, UK Christian Kipp, Independent Photographer, Essex, UK Natalie Garrett Brown, Coventry University, UK Hetty Blades, Coventry University, UK Jeanette Doyle, Independent Artist, Ireland Maria Coleman, Independent Artist, Donegal, Ireland Mary Oliver, Manchester Metropolitan University, UK Riku Roihankorpi, University of Tampere, Finland Sarah Whatley, Coventry University, UK Scott deLahunta, Coventry University, UK Sharon Phelan, Trinity College Dublin, Ireland

• Introduction: 'In the after-event of the virtual'; Matthew Causey, Emma Meehan, Néill O'Dwyer PART I: PROVOCATIONS: SUBJECTIVITY AND TECHNOLOGY Introduction to Part I; Matthew Causey, Emma Meehan and Néill O'Dwyer 1. 'Into the body of another: strange couplings and unnatural alliances of Harlequin Coat'; Burcu Baykan 2. 'The Cultural Critique of Bernard Stiegler: Reflecting on the Computational Performances of Klaus Obermaier; Neill O'Dwyer 3. 'The Flicker at the threshold of societies of control'; Sharon Phelan 4. 'The Right to Be Forgotten and The Image-Crimes of Digital Culture'; Matthew Causey 5. 'Materiality, immateriality and the dancing body; the challenge of the inter in the preservation of intangible cultural heritage'; Sarah Whatley 6. 'Performing (the Subject of) Exteriority: Virtuality, M?m?sis, and the Gratuitous 'One Must''; Riku Roihankorpi PART II: PRACTICES: EMBODIED NOTIONS OF ART AND TECHNOLOGY 7. Introduction to Part II ; Matthew Causey, Emma Meehan & Néill O'Dwyer8. 'Not Waving But Drowning: The Affect Of Random Programming On The Creation Of A Digital Performance Work'; Mary Oliver 9. 'BrainExplode! Audiences and agency through the appropriation of Videogame structures'; Dan Bergin 10. 'Relational Works-In-Movement Using The Body Response System'; Maria Coleman 11. 'Dancing With Dirt And Wires; Reconciling The Embodied And The Digital In Site Responsive Collaborative Practice'; Natalie Garrett Brown, Christian Kipp And Amy Voris 12. 'Jeanette Doyle: Fifteen Days And Factory Direct At The Andy Warhol Museum: The Relationship Between The 'Immaterial', 'Dematerial' And 'Material' In Contemporary Art Practice'; Jeanette Doyle 13. 'Inscribing Work And Process: The Ontological Implications Of Virtual Scoring Practices For Dance'; Hetty Blades 14. 'Traces And Artifacts Of Physical Intelligence'; Scott Delahunta Index

'The Performing Subject in the Space of Technology challenges perceived notions of 'virtual' and 'real' in a collection of fascinating essays. It explores the ubiquity of technology in both academia and professional practice, emphasising the experience of body/ technology encounters. The first half of the book brings a variety of philosophical approaches to technology, politics and ethics, while the latter half draws the richness of the practitioner's embodied perspective into the bag of analytical tools.' - Sita Popat, University of Leeds, UK

Burcu Baykan, Trinity College Dublin, Ireland Dan Bergin, Independent Scholar, Ireland Amy Voris, Independent Artist, Manchester, UK Christian Kipp, Independent Photographer, Essex, UK Natalie Garrett Brown, Coventry University, UK Hetty Blades, Coventry University, UK Jeanette Doyle, Independent Artist, Ireland Maria Coleman, Independent Artist, Donegal, Ireland Mary Oliver, Manchester Metropolitan University, UK Riku Roihankorpi, University of Tampere, Finland Sarah Whatley, Coventry University, UK Scott deLahunta, Coventry University, UK Sharon Phelan, Trinity College Dublin, Ireland

• Introduction: 'In the after-event of the virtual'; Matthew Causey, Emma Meehan, Néill O'Dwyer PART I: PROVOCATIONS: SUBJECTIVITY AND TECHNOLOGY Introduction to Part I; Matthew Causey, Emma Meehan and Néill O'Dwyer 1. 'Into the body of another: strange couplings and unnatural alliances of Harlequin Coat'; Burcu Baykan 2. 'The Cultural Critique of Bernard Stiegler: Reflecting on the Computational Performances of Klaus Obermaier; Neill O'Dwyer 3. 'The Flicker at the threshold of societies of control'; Sharon Phelan 4. 'The Right to Be Forgotten and The Image-Crimes of Digital Culture'; Matthew Causey 5. 'Materiality, immateriality and the dancing body; the challenge of the inter in the preservation of intangible cultural heritage'; Sarah Whatley 6. 'Performing (the Subject of) Exteriority: Virtuality, M?m?sis, and the Gratuitous 'One Must''; Riku Roihankorpi PART II: PRACTICES: EMBODIED NOTIONS OF ART AND TECHNOLOGY 7. Introduction to Part II ; Matthew Causey, Emma Meehan & Néill O'Dwyer8. 'Not Waving But Drowning: The Affect Of Random Programming On The Creation Of A Digital Performance Work'; Mary Oliver 9. 'BrainExplode! Audiences and agency through the appropriation of Videogame structures'; Dan Bergin 10. 'Relational Works-In-Movement Using The Body Response System'; Maria Coleman 11. 'Dancing With Dirt And Wires; Reconciling The Embodied And The Digital In Site Responsive Collaborative Practice'; Natalie Garrett Brown, Christian Kipp And Amy Voris 12. 'Jeanette Doyle: Fifteen Days And Factory Direct At The Andy Warhol Museum: The Relationship Between The 'Immaterial', 'Dematerial' And 'Material' In Contemporary Art Practice'; Jeanette Doyle 13. 'Inscribing Work And Process: The Ontological Implications Of Virtual Scoring Practices For Dance'; Hetty Blades 14. 'Traces And Artifacts Of Physical Intelligence'; Scott Delahunta Index

'The Performing Subject in the Space of Technology challenges perceived notions of 'virtual' and 'real' in a collection of fascinating essays. It explores the ubiquity of technology in both academia and professional practice, emphasising the experience of body/ technology encounters. The first half of the book brings a variety of philosophical approaches to technology, politics and ethics, while the latter half draws the richness of the practitioner's embodied perspective into the bag of analytical tools.' - Sita Popat, University of Leeds, UK

Burcu Baykan, Trinity College Dublin, Ireland Dan Bergin, Independent Scholar, Ireland Amy Voris, Independent Artist, Manchester, UK Christian Kipp, Independent Photographer, Essex, UK Natalie Garrett Brown, Coventry University, UK Hetty Blades, Coventry University, UK Jeanette Doyle, Independent Artist, Ireland Maria Coleman, Independent Artist, Donegal, Ireland Mary Oliver, Manchester Metropolitan University, UK Riku Roihankorpi, University of Tampere, Finland Sarah Whatley, Coventry University, UK Scott deLahunta, Coventry University, UK Sharon Phelan, Trinity College Dublin, Ireland

• Introduction: 'In the after-event of the virtual'; Matthew Causey, Emma Meehan, Néill O'Dwyer PART I: PROVOCATIONS: SUBJECTIVITY AND TECHNOLOGY Introduction to Part I; Matthew Causey, Emma Meehan and Néill O'Dwyer 1. 'Into the body of another: strange couplings and unnatural alliances of Harlequin Coat'; Burcu Baykan 2. 'The Cultural Critique of Bernard Stiegler: Reflecting on the Computational Performances of Klaus Obermaier; Neill O'Dwyer 3. 'The Flicker at the threshold of societies of control'; Sharon Phelan 4. 'The Right to Be Forgotten and The Image-Crimes of Digital Culture'; Matthew Causey 5. 'Materiality, immateriality and the dancing body; the challenge of the inter in the preservation of intangible cultural heritage'; Sarah Whatley 6. 'Performing (the Subject of) Exteriority: Virtuality, M?m?sis, and the Gratuitous 'One Must''; Riku Roihankorpi PART II: PRACTICES: EMBODIED NOTIONS OF ART AND TECHNOLOGY 7. Introduction to Part II ; Matthew Causey, Emma Meehan & Néill O'Dwyer8. 'Not Waving But Drowning: The Affect Of Random Programming On The Creation Of A Digital Performance Work'; Mary Oliver 9. 'BrainExplode! Audiences and agency through the appropriation of Videogame structures'; Dan Bergin 10. 'Relational Works-In-Movement Using The Body Response System'; Maria Coleman 11. 'Dancing With Dirt And Wires; Reconciling The Embodied And The Digital In Site Responsive Collaborative Practice'; Natalie Garrett Brown, Christian Kipp And Amy Voris 12. 'Jeanette Doyle: Fifteen Days And Factory Direct At The Andy Warhol Museum: The Relationship Between The 'Immaterial', 'Dematerial' And 'Material' In Contemporary Art Practice'; Jeanette Doyle 13. 'Inscribing Work And Process: The Ontological Implications Of Virtual Scoring Practices For Dance'; Hetty Blades 14. 'Traces And Artifacts Of Physical Intelligence'; Scott Delahunta Index

'The Performing Subject in the Space of Technology challenges perceived notions of 'virtual' and 'real' in a collection of fascinating essays. It explores the ubiquity of technology in both academia and professional practice, emphasising the experience of body/ technology encounters. The first half of the book brings a variety of philosophical approaches to technology, politics and ethics, while the latter half draws the richness of the practitioner's embodied perspective into the bag of analytical tools.' - Sita Popat, University of Leeds, UK