Julieanna Preston’s transdisciplinary creative practice research is concerned with the agency and ethics of materiality, its relation to place, ecology and ways of being in the world. Her practice engages place-responsive live art performance, vocalisation, and performance writing. She currently teaches and supervises postgraduate students across art, design and architecture in Aotearoa NZ. Anna Brown is New Zealand-based designer, researcher and educator. She is Professor of Design and Public Good at Massey University’s College of Creative Arts. She works with visual artists and curators to investigate through form, materials and typography how the vehicle of the book can amplify the content it contains.

• Welcomechain /// link /// throatTo Listen PoetryBetween the WordsShell on Sure, Graphic Shaming and / as Gender SlammingWetness — a sensuous politics of punctuationA Short Line with a Long ShadowWE ARE THE VĀ / NOWDots on a PageYes O Do Please StopEncountering One’s Footprints in Snow or: On ParagraphsSteppesacut inside the questionsthat are due to our southsattemptingto write outside a limitBridging Portmanteaubeginning........Same as it ever was........PUNCT-ingHolding Together Briefly:I begin with ‘ and end with ?InterrobangingGirlspeakThe Meaning of This:Performing Asemic Writing23 Deluge..--- ...-- / -.. . .-.. ..- --. .Liberated from Language:Punctuation’s Performativityin the Absence of WordsA holding practicesemicolon comma shift returnHomogenised, Pasteurised andRecognisable: Empowering Childrento Decentre the Dominance ofStandard English Spelling,Punctuation and GrammarA Meaningful Site: Space (bar)and Weak RaysExploded House (Philomena)A conversation with Beatriz Ferreyra,with her Echo(e)s, in her Absence,without Time SignaturesSlashing and AsteriskingNoctalgia

Julieanna Preston’s transdisciplinary creative practice research is concerned with the agency and ethics of materiality, its relation to place, ecology and ways of being in the world. Her practice engages place-responsive live art performance, vocalisation, and performance writing. She currently teaches and supervises postgraduate students across art, design and architecture in Aotearoa NZ. Anna Brown is New Zealand-based designer, researcher and educator. She is Professor of Design and Public Good at Massey University’s College of Creative Arts. She works with visual artists and curators to investigate through form, materials and typography how the vehicle of the book can amplify the content it contains.

• Welcomechain /// link /// throatTo Listen PoetryBetween the WordsShell on Sure, Graphic Shaming and / as Gender SlammingWetness — a sensuous politics of punctuationA Short Line with a Long ShadowWE ARE THE VĀ / NOWDots on a PageYes O Do Please StopEncountering One’s Footprints in Snow or: On ParagraphsSteppesacut inside the questionsthat are due to our southsattemptingto write outside a limitBridging Portmanteaubeginning........Same as it ever was........PUNCT-ingHolding Together Briefly:I begin with ‘ and end with ?InterrobangingGirlspeakThe Meaning of This:Performing Asemic Writing23 Deluge..--- ...-- / -.. . .-.. ..- --. .Liberated from Language:Punctuation’s Performativityin the Absence of WordsA holding practicesemicolon comma shift returnHomogenised, Pasteurised andRecognisable: Empowering Childrento Decentre the Dominance ofStandard English Spelling,Punctuation and GrammarA Meaningful Site: Space (bar)and Weak RaysExploded House (Philomena)A conversation with Beatriz Ferreyra,with her Echo(e)s, in her Absence,without Time SignaturesSlashing and AsteriskingNoctalgia

Julieanna Preston’s transdisciplinary creative practice research is concerned with the agency and ethics of materiality, its relation to place, ecology and ways of being in the world. Her practice engages place-responsive live art performance, vocalisation, and performance writing. She currently teaches and supervises postgraduate students across art, design and architecture in Aotearoa NZ. Anna Brown is New Zealand-based designer, researcher and educator. She is Professor of Design and Public Good at Massey University’s College of Creative Arts. She works with visual artists and curators to investigate through form, materials and typography how the vehicle of the book can amplify the content it contains.

• Welcomechain /// link /// throatTo Listen PoetryBetween the WordsShell on Sure, Graphic Shaming and / as Gender SlammingWetness — a sensuous politics of punctuationA Short Line with a Long ShadowWE ARE THE VĀ / NOWDots on a PageYes O Do Please StopEncountering One’s Footprints in Snow or: On ParagraphsSteppesacut inside the questionsthat are due to our southsattemptingto write outside a limitBridging Portmanteaubeginning........Same as it ever was........PUNCT-ingHolding Together Briefly:I begin with ‘ and end with ?InterrobangingGirlspeakThe Meaning of This:Performing Asemic Writing23 Deluge..--- ...-- / -.. . .-.. ..- --. .Liberated from Language:Punctuation’s Performativityin the Absence of WordsA holding practicesemicolon comma shift returnHomogenised, Pasteurised andRecognisable: Empowering Childrento Decentre the Dominance ofStandard English Spelling,Punctuation and GrammarA Meaningful Site: Space (bar)and Weak RaysExploded House (Philomena)A conversation with Beatriz Ferreyra,with her Echo(e)s, in her Absence,without Time SignaturesSlashing and AsteriskingNoctalgia