John C. Tibbetts is Associate Professor of Film and Media at the University of Kansas, USA. He is the author of The Gothic Imagination, Composers in the Movies, Schumann: A Chorus of Voices, Dvořák in America, and The Encyclopedia of Novels into Film.Michael Saffle is Professor of Music and Humanities at Virginia Polytechnic Institute and State University, USA. His eight books include The Music of Franz Liszt: Stylistic Development and Cultural Synthesis (2018), and he also writes about music in film and on television.William A. Everett is Curators’ Distinguished Professor of Musicology at the University of Missouri–Kansas City. He is co-editor of The Cambridge Companion to the Musical and author of Music for the People: A History of the Kansas City Philharmonic Orchestra, 1933-1982.

• 1. Introduction.- 2. Medieval and Early Modern Music.- 3. Late Baroque Music.- 4. A Clutch of Instruments.- 5. Classical and Early Romantic Music.- 6. The Romantic Piano.- 7. From Romanticism Toward Modernism.- 8. The Art of The Accompanist.- 9. Musical Multiplicities in The Twentieth And Twenty-First Centuries.- 10. On Stage And Screen.- 11. Engaging Audiences.

John C. Tibbetts is Associate Professor of Film and Media at the University of Kansas, USA. He is the author of The Gothic Imagination, Composers in the Movies, Schumann: A Chorus of Voices, Dvořák in America, and The Encyclopedia of Novels into Film.Michael Saffle is Professor of Music and Humanities at Virginia Polytechnic Institute and State University, USA. His eight books include The Music of Franz Liszt: Stylistic Development and Cultural Synthesis (2018), and he also writes about music in film and on television.William A. Everett is Curators’ Distinguished Professor of Musicology at the University of Missouri–Kansas City. He is co-editor of The Cambridge Companion to the Musical and author of Music for the People: A History of the Kansas City Philharmonic Orchestra, 1933-1982.

• 1. Introduction.- 2. Medieval and Early Modern Music.- 3. Late Baroque Music.- 4. A Clutch of Instruments.- 5. Classical and Early Romantic Music.- 6. The Romantic Piano.- 7. From Romanticism Toward Modernism.- 8. The Art of The Accompanist.- 9. Musical Multiplicities in The Twentieth And Twenty-First Centuries.- 10. On Stage And Screen.- 11. Engaging Audiences.

John C. Tibbetts is Associate Professor of Film and Media at the University of Kansas, USA. He is the author of The Gothic Imagination, Composers in the Movies, Schumann: A Chorus of Voices, Dvořák in America, and The Encyclopedia of Novels into Film.Michael Saffle is Professor of Music and Humanities at Virginia Polytechnic Institute and State University, USA. His eight books include The Music of Franz Liszt: Stylistic Development and Cultural Synthesis (2018), and he also writes about music in film and on television.William A. Everett is Curators’ Distinguished Professor of Musicology at the University of Missouri–Kansas City. He is co-editor of The Cambridge Companion to the Musical and author of Music for the People: A History of the Kansas City Philharmonic Orchestra, 1933-1982.

• 1. Introduction.- 2. Medieval and Early Modern Music.- 3. Late Baroque Music.- 4. A Clutch of Instruments.- 5. Classical and Early Romantic Music.- 6. The Romantic Piano.- 7. From Romanticism Toward Modernism.- 8. The Art of The Accompanist.- 9. Musical Multiplicities in The Twentieth And Twenty-First Centuries.- 10. On Stage And Screen.- 11. Engaging Audiences.