Senta Siewert is a Film Scholar and Guest Researcher at the Amsterdam School for Cultural Analysis and was Guest Professor for Film Studies at the Ruhr-University Bochum and has taught in Berlin, Stuttgart, Bochum, Frankfurt, Bayreuth, Paderborn, Jena, Hamburg and Amsterdam. She is a Curator and Filmmaker and Author of Entgrenzungsfilme — Jugend, Musik, Affekt, Gedächtnis. Eine pragmatische Poetik zeitgenössischer europäischer Filme (2013) and Fassbinder und Deleuze — Körper, Leiden, Entgrenzung (2009).

• Introduction: Experimental Cinema, Expanded Cinema, and Artists' Film Chapter 1: Access: Agents, Archives Archive - Whether to Preserve or to Show Programming - Historiography in the Making Curating - Montage of Contexts Case Study: Living Archive Project - Arsenal, Berlin Expanded Cinema - Expanded Consciousness and Event Case Study: Forum Expanded, Berlin Film Festival Case Study: International Short Film Festival, Oberhausen Case Study: Anthony McCall's Line Describing a Cone Archival Impulse - Archive Fever Chapter 2: Affect: Performance, Audience Black Box and White Cube Case Study: Anthology Film Archives, New York Case Study: LUX, Light Industry, Filmforum, Lightcone, LaborBerlin Case Study: Harun Farocki Case Study: Eye Film Museum, Amsterdam Aesthetic Experience Music in Film Studies Sensual Pleasure Case Study: Sonic Acts Festival Case Study: Psychedelia and the International Film Festival Rotterdam (IFFR) Programming affects Chapter 3: Reconstruction: Memory and Audio-Visual Heritage Historiography - Films that Make History Case Study: The Realm of Possibilities 4-Access: Diamonds, Enter, Fin Documents - Testifying the Past Found Footage - Sampling and Remixing images and music Experimental Music Video Clips Case Study: Deutsches Filminstitut Filmmuseum, Frankfurt Audio-Visual Heritage Expanded Heritage Memory - Joyful Archive of Experiences Experimental films and philosophy Outlook Conclusion Acknowledgements Illustrations General Bibliography Index

"Performing Moving Images is the newest book from the acclaimed Framing Film series, published by Eye Filmmuseum and Amsterdam University Press. [...] This book will be hugely valuable to anyone with a keen interest in discovering more about how films emerge from archives to appear before an audience." - Helen de Witt, FIAF Journal of Film Preservation, April 2021