A Yi is a Chinese writer living in Beijing. He is the author of two collections of short stories and has published fiction in Granta and the Guardian. In 2010 he was shortlisted for the People’s Literature Top 20 Literary Giants of the Future.

‘Doused in blood and gushing with ethical conundrums, A Yi’s A Perfect Crime is a disconcerting medley of misanthropy, escapism, and media monstrosities. Woven from tales garnered in the author’s previous career in law enforcement, Yi’s psychological insights are frequently bookended by realistic renditions of urban China’s legal processes. Where Anthony Burgess sought to conjure a world of abstract flair and inexplicable cruelty in A Clockwork Orange, Yi strikes a far deeper chord, delving into the mind of a youth whose lethal motivations are abundantly and undeniably troubling.’

A Yi is a Chinese writer living in Beijing. He is the author of two collections of short stories and has published fiction in Granta and the Guardian. In 2010 he was shortlisted for the People’s Literature Top 20 Literary Giants of the Future.

‘Doused in blood and gushing with ethical conundrums, A Yi’s A Perfect Crime is a disconcerting medley of misanthropy, escapism, and media monstrosities. Woven from tales garnered in the author’s previous career in law enforcement, Yi’s psychological insights are frequently bookended by realistic renditions of urban China’s legal processes. Where Anthony Burgess sought to conjure a world of abstract flair and inexplicable cruelty in A Clockwork Orange, Yi strikes a far deeper chord, delving into the mind of a youth whose lethal motivations are abundantly and undeniably troubling.’

A Yi is a Chinese writer living in Beijing. He is the author of two collections of short stories and has published fiction in Granta and the Guardian. In 2010 he was shortlisted for the People’s Literature Top 20 Literary Giants of the Future.

‘Doused in blood and gushing with ethical conundrums, A Yi’s A Perfect Crime is a disconcerting medley of misanthropy, escapism, and media monstrosities. Woven from tales garnered in the author’s previous career in law enforcement, Yi’s psychological insights are frequently bookended by realistic renditions of urban China’s legal processes. Where Anthony Burgess sought to conjure a world of abstract flair and inexplicable cruelty in A Clockwork Orange, Yi strikes a far deeper chord, delving into the mind of a youth whose lethal motivations are abundantly and undeniably troubling.’