Fred Moten teaches courses and conducts research in black studies, performance studies, poetics and critical theory at New York University. He is the author of Arkansas (Pressed Wafer, 2000), In the Break: The Aesthetics of the Black Radical Tradition (University of Minnesota Press, 2003), I ran from it but was still in it. (Cusp Books, 2007), Hughson's Tavern(Leon Works, 2008), B Jenkins (Duke University Press, 2009), The Feel Trio (Letter Machine Editions, 2014), which was a National Book Award finalist. He also is the co-author with Stefano Harney of The Undercommons: Fugitive Planning & Black Study (Minor Compositions, 2013).

• Contentsthe red sheaves coveringcorduroy, no strings attachedthe interfacial layer is violence, not carethe intrafacial lairafro-alienation lining outtables and gemsthe faerie ornithologiesylphtet (a triologue of self and soulare you one of these motherfuckers?color fieldtiling, lining notestilling, limning notes surfacingthe abolition of art, the abolition of freedom, the abolition of you and meapproaching asécowrecked and led to trespassfingerprintingtaj subjductionsubductive laurenwith the band2why you leave ‘em with me?got ‘im!merda nostraknottingepistrophe and epistrophyor discovering graves say, grave says

Fred Moten teaches courses and conducts research in black studies, performance studies, poetics and critical theory at New York University. He is the author of Arkansas (Pressed Wafer, 2000), In the Break: The Aesthetics of the Black Radical Tradition (University of Minnesota Press, 2003), I ran from it but was still in it. (Cusp Books, 2007), Hughson's Tavern(Leon Works, 2008), B Jenkins (Duke University Press, 2009), The Feel Trio (Letter Machine Editions, 2014), which was a National Book Award finalist. He also is the co-author with Stefano Harney of The Undercommons: Fugitive Planning & Black Study (Minor Compositions, 2013).

• Contentsthe red sheaves coveringcorduroy, no strings attachedthe interfacial layer is violence, not carethe intrafacial lairafro-alienation lining outtables and gemsthe faerie ornithologiesylphtet (a triologue of self and soulare you one of these motherfuckers?color fieldtiling, lining notestilling, limning notes surfacingthe abolition of art, the abolition of freedom, the abolition of you and meapproaching asécowrecked and led to trespassfingerprintingtaj subjductionsubductive laurenwith the band2why you leave ‘em with me?got ‘im!merda nostraknottingepistrophe and epistrophyor discovering graves say, grave says

Fred Moten teaches courses and conducts research in black studies, performance studies, poetics and critical theory at New York University. He is the author of Arkansas (Pressed Wafer, 2000), In the Break: The Aesthetics of the Black Radical Tradition (University of Minnesota Press, 2003), I ran from it but was still in it. (Cusp Books, 2007), Hughson's Tavern(Leon Works, 2008), B Jenkins (Duke University Press, 2009), The Feel Trio (Letter Machine Editions, 2014), which was a National Book Award finalist. He also is the co-author with Stefano Harney of The Undercommons: Fugitive Planning & Black Study (Minor Compositions, 2013).

• Contentsthe red sheaves coveringcorduroy, no strings attachedthe interfacial layer is violence, not carethe intrafacial lairafro-alienation lining outtables and gemsthe faerie ornithologiesylphtet (a triologue of self and soulare you one of these motherfuckers?color fieldtiling, lining notestilling, limning notes surfacingthe abolition of art, the abolition of freedom, the abolition of you and meapproaching asécowrecked and led to trespassfingerprintingtaj subjductionsubductive laurenwith the band2why you leave ‘em with me?got ‘im!merda nostraknottingepistrophe and epistrophyor discovering graves say, grave says