With the increase in interest in World Cinema on Film Studies courses at undergraduate and postgraduate level in the UK and USA, the anthology would also be useful for scholars of Film Studies more broadly speaking. Given the centrality of Paulo Emílio Salles Gomes’ theoretical elaborations to Brazilian film studies and to Latin American film studies, this collection will be vital reading for undergraduate and post graduate courses in both film and Latin American studies in the UK and USA.Maite Conde is University Lecturer in Brazilian Culture at the University of Cambridge, and Fellow of Jesus College, Cambridge. She is the author of a book on early Brazilian cinema, Consuming Vision. Cinema, Writing and Modernity in Rio de Janeiro (2012), and has translated essays on Brazilian cinema and literature for peer reviewed journals and books.Stephanie Dennison is Chair of Brazilian Studies at the University of Leeds. She was a founding member of the Centre for World Cinemas at Leeds, and currently leads an AHRC-funded research network entitled Soft Power cinema and the BRICS.

• AcknowledgementsList of SourcesList of IllustrationsPrefaceForewordIntroductory EssayPart One: Social and Cinematic EngagementsPart Two: Foreign DialoguesOn HollywoodOn Soviet and European CinemaPart Three: National CinemaOn Brazilian CinemaFor a National CinemaBibliographyFilmography

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With the increase in interest in World Cinema on Film Studies courses at undergraduate and postgraduate level in the UK and USA, the anthology would also be useful for scholars of Film Studies more broadly speaking. Given the centrality of Paulo Emílio Salles Gomes’ theoretical elaborations to Brazilian film studies and to Latin American film studies, this collection will be vital reading for undergraduate and post graduate courses in both film and Latin American studies in the UK and USA.Maite Conde is University Lecturer in Brazilian Culture at the University of Cambridge, and Fellow of Jesus College, Cambridge. She is the author of a book on early Brazilian cinema, Consuming Vision. Cinema, Writing and Modernity in Rio de Janeiro (2012), and has translated essays on Brazilian cinema and literature for peer reviewed journals and books.Stephanie Dennison is Chair of Brazilian Studies at the University of Leeds. She was a founding member of the Centre for World Cinemas at Leeds, and currently leads an AHRC-funded research network entitled Soft Power cinema and the BRICS.

• AcknowledgementsList of SourcesList of IllustrationsPrefaceForewordIntroductory EssayPart One: Social and Cinematic EngagementsPart Two: Foreign DialoguesOn HollywoodOn Soviet and European CinemaPart Three: National CinemaOn Brazilian CinemaFor a National CinemaBibliographyFilmography

Select Guide Rating

With the increase in interest in World Cinema on Film Studies courses at undergraduate and postgraduate level in the UK and USA, the anthology would also be useful for scholars of Film Studies more broadly speaking. Given the centrality of Paulo Emílio Salles Gomes’ theoretical elaborations to Brazilian film studies and to Latin American film studies, this collection will be vital reading for undergraduate and post graduate courses in both film and Latin American studies in the UK and USA.Maite Conde is University Lecturer in Brazilian Culture at the University of Cambridge, and Fellow of Jesus College, Cambridge. She is the author of a book on early Brazilian cinema, Consuming Vision. Cinema, Writing and Modernity in Rio de Janeiro (2012), and has translated essays on Brazilian cinema and literature for peer reviewed journals and books.Stephanie Dennison is Chair of Brazilian Studies at the University of Leeds. She was a founding member of the Centre for World Cinemas at Leeds, and currently leads an AHRC-funded research network entitled Soft Power cinema and the BRICS.

• AcknowledgementsList of SourcesList of IllustrationsPrefaceForewordIntroductory EssayPart One: Social and Cinematic EngagementsPart Two: Foreign DialoguesOn HollywoodOn Soviet and European CinemaPart Three: National CinemaOn Brazilian CinemaFor a National CinemaBibliographyFilmography

Select Guide Rating