Paris and the Musical

The City of Light on Stage and Screen

Inbunden, Engelska, 2021

Av Olaf Jubin, London) Jubin, Olaf (Regent's University

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Paris and the Musical explores how the famous city has been portrayed on stage and screen, investigates why the city has been of such importance to the genre and tracks how it has developed as a trope over the 20th and 21st centuries.From global hits An American in Paris, Gigi, Les Misérables, Moulin Rouge! and The Phantom of the Opera to the less widely-known Bless the Bride, Can-Can, Irma la Douce and Marguerite, the French capital is a central character in an astounding number of Broadway, Hollywood and West End musicals. This collection of 18 essays combines cultural studies, sociology, musicology, art and adaptation theory, and gender studies to examine the envisioning and dramatisation of Paris, and its depiction as a place of romance, hedonism and libertinism or as ‘the capital of the arts’.The interdisciplinary nature of this collection renders it as a fascinating resource for a wide range of courses; it will be especially valuable for students and scholars of Musical Theatre and those interested in Theatre and Film History more generally.

Produktinformation

Utgivningsdatum2021-03-18
Mått156 x 234 x undefined mm
Vikt930 g
FormatInbunden
SpråkEngelska
Antal sidor398
FörlagTaylor & Francis Ltd
ISBN9781138611061

Tillhör följande kategorier

Film inom Kultur
Filmmusik, musikaler och teatermusik inom Kultur
Europas historia inom Historia och arkeologi
Internet och digitala medier inom Kultur

Introduction Part I. Capital Paris1. Paris as Symbol – Venita Datta2. ‘Yes, I’m a Gay Parisian!’ Establishing the Trope of ‘Gay Paree’: The Merry Widow – Stefan Frey3. ‘Come and Play Wiz Me in Gay Paree’: Approaching Cole Porter’s Paris – Hannah RobbinsPart II. Broadway Paris4. Dressed by Paris: Mlle Modiste, Roberta and No Strings – Maya Cantu 5. Liberated by Paris: A Reconsideration of Three Broadway ‘Flops’ – Miss Liberty, Ben Franklin in Paris and Dear World – Michael Garber 6. Seduced by Paris: Irma La Douce and Its Journey to Broadway – Stewart NichollsPart III. Hollywood Paris7. The Capital of Pre-Code Operettas: Paris at Paramount and MGM – Marguerite Chabrol8. Paris as Location: Funny Face, Les Girls, Silk Stockings and Gigi – Julia Foulkes 9. Paris by Hand: Gay Purr-ee and Aristocats – Daniel BatchelderPart IV. West End Paris10. Shockwaves at a Distance: Ellis and Herbert’s Bless the Bride – John Snelson 11. Performing Paris. Les Misérables, The Phantom of the Opera and Aspects of Love – John Snelson 12. The Courtesan and the Collaborator: Marguerite – Clare ChandlerPart V. Naughty Paris13. Gay Shame in Gay Paree: Re-contextualising Gender Progressiveness in Two Film Versions of Victor/Victoria – Florian Seubert14. À la recherche de quel temps? Can-Can and the Fluidity of Paris perdu – Raymond Knapp and Mitchell Morris 15. Art, Artifice and Artificiality: the Various Versions of the Musical Gigi – Olaf JubinPart VI. Artistic Paris16. ‘Artists in Art’s Capital City’: Americans in Paris on Screen and Stage – Robert Gordon 17. Paris and the Curse of Chicago in Stephen Sondheim’s Sunday in the Park with George – Robert Lawson-Peebles 18. The Paradoxical ‘Frenchness’ of an Australian Musical: Baz Luhrmann’s Moulin Rouge! – Pierre-Olivier ToulzaConclusion