Barbara Lupack's incisive analysis of pejorative female stereotypes common during cinema's earliest decades brilliantly illuminates the broader workings of American popular and political cultures of the 19th and early 20th centuries. Considering our own moment, when malignant media distortions and untruths have become all the more difficult to discern, and are routinely proclaimed at the highest levels of power, Lupack's corrective history couldn't be more relevant, or urgent.