DAVID C. LANE is an assistant professor of sociology in the Department of Criminal Justice Sciences at Illinois State University in Normal.

• List of FiguresFigure 1.1: The Stratified World of TattooingFigure 7.1: Authenticity of Machine OwnershipList of TablesTable 4.1: State and Local Tattoo BansIntroduction: Tattooing for Beginners1          The Social World of Tattooing                        2          Organizing Space       3          Careers of Tattooists   4          Legal Consciousness among Workers              5          Ties to Conventional Institutions and Ideas   6          Sources of Contention                        7          External Threats and the Maintenance of Boundaries           Conclusion: Continuity and Change                          Methodological AppendixAcknowledgments NotesReferences      Index

"It takes two to tattoo–someone being tattooed and the tattooist. Their encounter has to be face-to-face, and this fact shapes how tattooists work, regardless of whether they approach their work as a craft or as high art. In this fascinating book, David Lane takes us into the many corners of the tattooists' world, revealing how the occupation retains its traditions in the face of dramatic changes."— Joel Best, University of Delaware"A compelling, in-depth look at tattoo artists and their social world as they pursue fulfilling, enchanting work in the midst of a dehumanizing capitalist system. Lane provokes fascinating questions about how artists organize spaces, navigate laws, and construct authenticity as tattoos become increasingly popular. Reading made me want to get more tattoos – and ask my artist all sorts of questions!"  — Ross Haenfler, author of Straight Edge Hardcore Punk, Clean Living Youth, and Social Change"Looking at the nature, habits, and cultural codes of professional tattooing, Lane reveals the complexity of tattooing as an art form, work world, and social process. The tattooists appear as resilient agents who resist capitalist alienation, unionization, and state-level regulations. We also see the artists as gatekeepers who maintain the class, race, and gender order of professional tattooing. A truly interesting read."— Katherine Irwin, University of Hawai'i at Manoa"In The Other Side of the Needle, David C. Lane provides an absorbing and accessibly written view of the tattoo world from the perspective of tattoo workers. Drawing on an art-world perspective and packed with insights from tattooists, the book explores the working lives of tattooists. It provides a much-needed and thorough treatment of this understudied area and will be of interest to scholars in the production of culture as well as to anyone interested in tattoos and tattooing.— Victoria D. Alexander, Goldsmiths, University of London

DAVID C. LANE is an assistant professor of sociology in the Department of Criminal Justice Sciences at Illinois State University in Normal.

• List of FiguresFigure 1.1: The Stratified World of TattooingFigure 7.1: Authenticity of Machine OwnershipList of TablesTable 4.1: State and Local Tattoo BansIntroduction: Tattooing for Beginners1          The Social World of Tattooing                        2          Organizing Space       3          Careers of Tattooists   4          Legal Consciousness among Workers              5          Ties to Conventional Institutions and Ideas   6          Sources of Contention                        7          External Threats and the Maintenance of Boundaries           Conclusion: Continuity and Change                          Methodological AppendixAcknowledgments NotesReferences      Index

"It takes two to tattoo–someone being tattooed and the tattooist. Their encounter has to be face-to-face, and this fact shapes how tattooists work, regardless of whether they approach their work as a craft or as high art. In this fascinating book, David Lane takes us into the many corners of the tattooists' world, revealing how the occupation retains its traditions in the face of dramatic changes."— Joel Best, University of Delaware"A compelling, in-depth look at tattoo artists and their social world as they pursue fulfilling, enchanting work in the midst of a dehumanizing capitalist system. Lane provokes fascinating questions about how artists organize spaces, navigate laws, and construct authenticity as tattoos become increasingly popular. Reading made me want to get more tattoos – and ask my artist all sorts of questions!"  — Ross Haenfler, author of Straight Edge Hardcore Punk, Clean Living Youth, and Social Change"Looking at the nature, habits, and cultural codes of professional tattooing, Lane reveals the complexity of tattooing as an art form, work world, and social process. The tattooists appear as resilient agents who resist capitalist alienation, unionization, and state-level regulations. We also see the artists as gatekeepers who maintain the class, race, and gender order of professional tattooing. A truly interesting read."— Katherine Irwin, University of Hawai'i at Manoa"In The Other Side of the Needle, David C. Lane provides an absorbing and accessibly written view of the tattoo world from the perspective of tattoo workers. Drawing on an art-world perspective and packed with insights from tattooists, the book explores the working lives of tattooists. It provides a much-needed and thorough treatment of this understudied area and will be of interest to scholars in the production of culture as well as to anyone interested in tattoos and tattooing.— Victoria D. Alexander, Goldsmiths, University of London

DAVID C. LANE is an assistant professor of sociology in the Department of Criminal Justice Sciences at Illinois State University in Normal.

• List of FiguresFigure 1.1: The Stratified World of TattooingFigure 7.1: Authenticity of Machine OwnershipList of TablesTable 4.1: State and Local Tattoo BansIntroduction: Tattooing for Beginners1          The Social World of Tattooing                        2          Organizing Space       3          Careers of Tattooists   4          Legal Consciousness among Workers              5          Ties to Conventional Institutions and Ideas   6          Sources of Contention                        7          External Threats and the Maintenance of Boundaries           Conclusion: Continuity and Change                          Methodological AppendixAcknowledgments NotesReferences      Index

"It takes two to tattoo–someone being tattooed and the tattooist. Their encounter has to be face-to-face, and this fact shapes how tattooists work, regardless of whether they approach their work as a craft or as high art. In this fascinating book, David Lane takes us into the many corners of the tattooists' world, revealing how the occupation retains its traditions in the face of dramatic changes."— Joel Best, University of Delaware"A compelling, in-depth look at tattoo artists and their social world as they pursue fulfilling, enchanting work in the midst of a dehumanizing capitalist system. Lane provokes fascinating questions about how artists organize spaces, navigate laws, and construct authenticity as tattoos become increasingly popular. Reading made me want to get more tattoos – and ask my artist all sorts of questions!"  — Ross Haenfler, author of Straight Edge Hardcore Punk, Clean Living Youth, and Social Change"Looking at the nature, habits, and cultural codes of professional tattooing, Lane reveals the complexity of tattooing as an art form, work world, and social process. The tattooists appear as resilient agents who resist capitalist alienation, unionization, and state-level regulations. We also see the artists as gatekeepers who maintain the class, race, and gender order of professional tattooing. A truly interesting read."— Katherine Irwin, University of Hawai'i at Manoa"In The Other Side of the Needle, David C. Lane provides an absorbing and accessibly written view of the tattoo world from the perspective of tattoo workers. Drawing on an art-world perspective and packed with insights from tattooists, the book explores the working lives of tattooists. It provides a much-needed and thorough treatment of this understudied area and will be of interest to scholars in the production of culture as well as to anyone interested in tattoos and tattooing.— Victoria D. Alexander, Goldsmiths, University of London