Gary Huafan He is assistant professor and researcher at the School of Art and Archaeology, Department of Art History at Zhejiang University in Hangzhou, China. His primary research focuses on the intersection of architecture and theories of modernity, with particular interest in forms of naturality, culture, class, and social identity in nineteenth- and twentieth-century Europe and the United States.

• 1. Introduction: Ornament and Class 2. The Limits of Bourgeois Architecture 3. Hȏtel Guilbert and the Bourgeois Stylistic Regime 4. Work and Romantic Labor 5. Architecture for the Laboring Classes 6. The Polemic of Ornament 7. Architecture as Global Ornament 8. Architectural History as Bourgeois History

Gary Huafan He is assistant professor and researcher at the School of Art and Archaeology, Department of Art History at Zhejiang University in Hangzhou, China. His primary research focuses on the intersection of architecture and theories of modernity, with particular interest in forms of naturality, culture, class, and social identity in nineteenth- and twentieth-century Europe and the United States.

• 1. Introduction: Ornament and Class 2. The Limits of Bourgeois Architecture 3. Hȏtel Guilbert and the Bourgeois Stylistic Regime 4. Work and Romantic Labor 5. Architecture for the Laboring Classes 6. The Polemic of Ornament 7. Architecture as Global Ornament 8. Architectural History as Bourgeois History

Gary Huafan He is assistant professor and researcher at the School of Art and Archaeology, Department of Art History at Zhejiang University in Hangzhou, China. His primary research focuses on the intersection of architecture and theories of modernity, with particular interest in forms of naturality, culture, class, and social identity in nineteenth- and twentieth-century Europe and the United States.

• 1. Introduction: Ornament and Class 2. The Limits of Bourgeois Architecture 3. Hȏtel Guilbert and the Bourgeois Stylistic Regime 4. Work and Romantic Labor 5. Architecture for the Laboring Classes 6. The Polemic of Ornament 7. Architecture as Global Ornament 8. Architectural History as Bourgeois History