“Botz-Bornstein’s book Organic Cinema contains a lot of food for thought. It is a non-standard piece on film with a new suggestions and new readings. I recommend it to those of you who want to read about more than just Tarr as a director, but who would like to learn about the context which his films and his filmmaking is embedded in. It’s a thoroughly interesting book.” • European History Quarterly“While combining film theory with the theory of architecture, music and theology, the organic method could offer a new alternative to deconstructionism, constructivism, cultural studies, and cinema aesthetics. For this reason, Organic cinema deserves academic attention, especially because it has the potential to create a new platform.” • Studies in Eastern European Cinema“Organic Cinema is an extremely dense text, rich with philosophical, aesthetic, filmic, and musicological insights. The book’s depth and breadth are certainly impressive, offering a valuable — even audacious — contribution to film theory and architectural theory. Botz-Bornstein is at his best when he makes the radical connections between architecture, cinema and musical theology… [and in this way] contributes to the evermore burgeoning field in which architectural theory and film are considered together.” • Invisible Culture“A magisterial, transdisciplinary contribution and brilliant comparative analysis of a major contemporary filmmaker whose work remains undertheorized and insufficiently known in a global framework. Organic Cinema presents a wealth of perspectives on the interlocking fields of cinema and architecture.” • Catherine Portuges, University of Massachusetts, Amherst
