Orchestration of the Arts — A Creative Symbiosis of Existential Powers

The Vibrating Interplay of Sound, Color, Image, Gesture, Movement, Rhythm, Fragrance, Word, Touch

Häftad, Engelska, 2010

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What is Art? This perennial question is forcefully thrown open by the present day electronic expansion of its field and proliferation of arts. Toward the treatment of this great question with deepest philosophical underpinnings, this collection of studies means to lay a ground. It is presumed that art, transcendentality, the designs of the cosmos might yield some of their mysteries while we investigate the Orchestration of the Arts stretching into all main lines of the human creativity: literature, history...and encompassing the distinctive and yet symbiotically inclined music, song, painting, opera, drama, stage decor, architecture, and ornament.

Produktinformation

Utgivningsdatum2010-12-15
Mått155 x 235 x 27 mm
Vikt750 g
FormatHäftad
SpråkEngelska
SerieAnalecta Husserliana
Antal sidor476
FörlagSpringer
ISBN9789048153350

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Section One Music, Literature, History, Architecture, Staging, Painting, Decoration: Within a Symphony of the Arts.- Paradox and Metaphor: An Integrity of the Arts.- Aesthetic Symbiosis and Spiritual Quest: Grünewald’s Isenheim Altarpiece in Hindemith’s Opera Mathis der Maler.- The Ambiguity of Baroque Enchantment: Operatic Mise en Abyme.- The Musicalization of Prose: Prolegomena to the Experience of Literature in Musical Form.- Calderón’s Dramatic Technique: The Orchestration of the Arts, From Drama to Opera.- Baroque Splendor: Vierzehnheiligen Church and Bach’s B-Minor Mass.- Section Two Sharing in Creative and Cosmic Synergies.- Orchestration of the Universe: Reflections on Tagore’s Creativity.- The Synergies of Mind and Muse: Reflections on Nineteenth-Century Thought and A Comparative Analysis of Dante Gabriel Rosetti’s Poem and Painting The Blessed Damozel and Claude Debussy’s La Demoiselle Elue.- The Interdependency of Literature, Architecture, Theater and Music as an Expression of Baroque Absolutism at the Hapsburg Court in Vienna.- Literature and Architecture as a Metaphor of “Grandeur” and “Decadence”.- Louis Sullivan: The Life-Enhancing Symbiosis of Music, Language, Architecture, and Ornament.- An Orchestration of the Arts in Wallace Stevens’ “Peter Quince at the Clavier”.- Section Three the Symbiosis and the Interaction of the Arts.- The Harmonic Conceit: Music, Nature and Mind in Wordworth’s Prelude.- Histoire de L’Aveugle: “Matiérisme”’s Critique of Vision.- Images of Water and the Sea in Tristan L’Hermite’s “La Mer” and in Painting.- Section Four Arts Interacting with Our Perception of Nature and Human Life.- Fire and Ice: Le Vrai Magique.- W. E. B. du Bois’ The Souls of Black Folk as an Example of theTragic.- The Blending of Natures and the Perception of the Real.- The Symbiosis and the Interaction of the Arts: Cesário Verde, Poet / Painter.- This is Mine, and I Can Hold It: Edna St. Vincent Millay and her Music.- Section Five The Poetic Inter-Reflection of the Arts.- The Terpsichorean Poem.- A Study in Nostalgia: The Orchestration of Life in Façade. The Edith Sitwell—William Walton Musico-Poetic Collaboration.- Interreflection of Complementary Expressive Means in Combined-Media Art Performances.- The Orchestration of the Arts in Leila Sebbar’s Shérazade, 17 ans, brune, frisée, les yeux verts.- Beauty and the Dialogue of the Arts: Considerations about Gadamer.- Section Six Arts Nurturing Human Culture.- A Look at Modernism from the Keyboard: The Piano in the Parlor and Abstract Art.- Pierre Puvis de Chavannes, Richard Wagner and Émile Bernard: Composition and Meaning in the Late Nineteenth Century.- The Temporal Character of Catherine Schieve’s Slide Opera.- An Unfolding of Theory and Practice: From Ingarden to a Phenomenological Aesthetic for Opera.- Emotion, Metaphor, Music, and Humor.- The Cultural Milieu of Francis Poulenc (1899–1963) and his “Musique de Tous les Jours” (including a brief survey of his works for piano).- Index of Names.