"Abramo Basevi's The Operas of Giuseppe Verdi represents an extraordinary testimony to a new and important way of writing music criticism in mid-nineteenth-century Italy, and Basevi's terminology and expressions have served as the foundations for influential analytical methods. This translation is polished, elegant, and eminently accessible to a modern reader." -Francesco Izzo, University of Southampton Abramo Basevi (1818-85) was a composer, music promoter, scholar, and critic who played a major role in the cultural life of nineteenth-century Florence. He published extensively on music and philosophy and founded the periodical L'armonia, in which his study of Verdi's operas first appeared. Edward Schneider studied music at Oxford and has translated several books on music and cooking. Stefano Castelvecchi is a lecturer in music at the University of Cambridge and a fellow of St John's College, Cambridge. He is the editor of critical editions of works by Rossini and Verdi and the author of Sentimental Opera: Questions of Genre in the Age of Bourgeois Drama."

"Abramo Basevi's The Operas of Giuseppe Verdi represents an extraordinary testimony to a new and important way of writing music criticism in mid-nineteenth-century Italy, and Basevi's terminology and expressions have served as the foundations for influential analytical methods. This translation is polished, elegant, and eminently accessible to a modern reader." -Francesco Izzo, University of Southampton Abramo Basevi (1818-85) was a composer, music promoter, scholar, and critic who played a major role in the cultural life of nineteenth-century Florence. He published extensively on music and philosophy and founded the periodical L'armonia, in which his study of Verdi's operas first appeared. Edward Schneider studied music at Oxford and has translated several books on music and cooking. Stefano Castelvecchi is a lecturer in music at the University of Cambridge and a fellow of St John's College, Cambridge. He is the editor of critical editions of works by Rossini and Verdi and the author of Sentimental Opera: Questions of Genre in the Age of Bourgeois Drama."

"Abramo Basevi's The Operas of Giuseppe Verdi represents an extraordinary testimony to a new and important way of writing music criticism in mid-nineteenth-century Italy, and Basevi's terminology and expressions have served as the foundations for influential analytical methods. This translation is polished, elegant, and eminently accessible to a modern reader." -Francesco Izzo, University of Southampton Abramo Basevi (1818-85) was a composer, music promoter, scholar, and critic who played a major role in the cultural life of nineteenth-century Florence. He published extensively on music and philosophy and founded the periodical L'armonia, in which his study of Verdi's operas first appeared. Edward Schneider studied music at Oxford and has translated several books on music and cooking. Stefano Castelvecchi is a lecturer in music at the University of Cambridge and a fellow of St John's College, Cambridge. He is the editor of critical editions of works by Rossini and Verdi and the author of Sentimental Opera: Questions of Genre in the Age of Bourgeois Drama."