On the Irish Waterfront

• Utgivningsdatum: 2010-09-15
• Mått: 155 x 235 x 22 mm
• Vikt: 907 g
• Format: Häftad
• Språk: Engelska
• Serie: Cushwa Center Studies of Catholicism in Twentieth-Century America
• Antal sidor: 392
• Förlag: Cornell University Press
• ISBN: 9780801476846
• Utmärkelser: Winner of the 2011 J. Owen Grundy History Award gi

• Amerikas historia
• Mikroekonomi

James T. Fisher is Professor of Theology and American Studies, Fordham University. He is author of Communion of Immigrants: A History of Catholics in America, Dr. America: The Lives of Thomas A. Dooley, 1927–1961, and The Catholic Counterculture in America, 1933-1962. Visit James T. Fisher's blog at: irishwaterfront.wordpress.com.

"Amply fills in the gaps among organized crimepublic officials and the street priests and Catholic hierarchy... also provides new insights into the long-debated claim that the film was intended by its screenwriterBudd Schulbergand its directorElia Kazanas a justification for their naming names of former Communist associates in their testimony before the House Un-American Activities Committee. He also clarifies the context of the famous utterance of Mayor Frank Hague of Jersey City: 'I am the law.' It turns out Mayor Hague was not flaunting his legendary power (he did not have to). He was intervening to get jobs for two truants rather than complying with legalities by sending them back to school.—Sam Roberts(New York Times) Fisher captures with great clarity and encyclopedic detail the multilayered and fascinating history of the New York–New Jersey waterfront depicted in Elia Kazan's Oscar-winning 1954 film, On the Waterfront. Fisher's impeccable research delves into the real-life stories behind the characters, particularly Pete Corridan, the crusading Catholic priest who tried to reform the longshoremen's union and the recently deceased Budd Schulberg, who adapted Malcolm Johnson's 1949 Pulitzer Prize-winning 'Crime on the Waterfront' newspaper series for the screen. Fisher considers every angle of the story astutely and meticulously, setting it well in its mid-20th-century American context. This engaging narrative is essential reading for both labor historians and cinema buffs, plus anyone studying the waterfront, working-class and immigrant history, anticommunism, blacklisting, and the House Un-American Activities Committee.(Library Journal) Fisher has spent more than a decade studying the culture, history and soul of the docks and piers that once lined the West Side of Manhattan and the riverfront of Jersey City and Hoboken. He also has researched the making of the film and the controversies it touched off long before it appeared in theaters in 1954. As a result, Fisher probably knows more about the waterfront than any living person who has not—as I assume he hasn't, although one never knows—stood in line at a shape-up. Fisher has poured all that knowledge into a glorious book that ought to change how movie critics view Schulberg's cinematic creation and how cultural historians interpret working-class culture in New York and New Jersey during the middle years of the 20th century.- Terry Golway (America) It may be hard for some to imagine an era when the waterfronts clustered around New York City constituted America's dominant commercial port. Yet as late as the 1950s the region's 900 piers—spread over Manhattan's West Side, South Brooklyn, and Hoboken and Jersey City, N.J.—handled more cargo than any port in the world. This is the setting for James T. Fisher's On the Irish Waterfront, a fascinating work of history that explores the rise of New York's commercial port from the early 1900s to the 1950s and the corruption that eventually infiltrated all levels of the cargo business, until a crusading priest helped to put a stop to it—and inspired a classic film along the way.- Edward T. O'Donnell (Wall Street Journal)

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