Earl H. Brooks is a musician and assistant professor of English at the University of Maryland, Baltimore County. His research in African American expressive culture, rhetoric and composition, and sound studies also appears in Sounding Out!, Rhetoric Review, Journal for the History of Rhetoric, Langston Hughes Review, and College Composition and Communication.

Brooks reveals how music served to broaden boundaries of "what can be said—and to whom" and helped to spread changing ideas of Black identity, liberation, and protest. It's a fascinating look at the complicated relationship between art, culture, and social change."— Publisher's Weekly

Earl H. Brooks is a musician and assistant professor of English at the University of Maryland, Baltimore County. His research in African American expressive culture, rhetoric and composition, and sound studies also appears in Sounding Out!, Rhetoric Review, Journal for the History of Rhetoric, Langston Hughes Review, and College Composition and Communication.

Brooks reveals how music served to broaden boundaries of "what can be said—and to whom" and helped to spread changing ideas of Black identity, liberation, and protest. It's a fascinating look at the complicated relationship between art, culture, and social change."— Publisher's Weekly

Earl H. Brooks is a musician and assistant professor of English at the University of Maryland, Baltimore County. His research in African American expressive culture, rhetoric and composition, and sound studies also appears in Sounding Out!, Rhetoric Review, Journal for the History of Rhetoric, Langston Hughes Review, and College Composition and Communication.

Brooks reveals how music served to broaden boundaries of "what can be said—and to whom" and helped to spread changing ideas of Black identity, liberation, and protest. It's a fascinating look at the complicated relationship between art, culture, and social change."— Publisher's Weekly