William Germano is the author of several books, including Getting it Published: A Guide for Scholars and Anyone Else Serious about Serious Books and From Dissertation to Book, both also published by the University of Chicago Press. His most recent book, co-written with Kit Nicholls, is Syllabus: The Remarkable, Unremarkable Document That Changes Everything. He has served as editor-in-chief at Columbia University Press, vice president and publishing director at Routledge, and dean of the faculty of humanities and social sciences at the Cooper Union for the Advancement of Science and Art, where he is now professor of English literature.

• 1                      Press start                                                                                                       2                      Good to better                                                                                                3                      Know what you’ve got                                                                                  4                      Look for an argument                                                                                    5                      Build an architecture                                                                                      6                      Remember the audience                                                                                7                      What writing wants                                                                                       Acknowledgments                                                                                                                 A very short bibliography                                                                                                      Index

"All writers are, or should be, re-writers, Germano insists, and rewriting begins with rereading, with "listening" to what your text wants to say. The advice compiled in this revelatory, generous book--tips on discovering or rediscovering your argument, on organizing its archive, on helping your readers identify its takeaways--will be useful for everyone from seasoned authors to dissertating graduate students. Best of all, interspersed with the practical counsel, On Revision contains a moving vindication of the importance and the pleasure of scholarly writing and reading." --Deidre Lynch, author of Loving Literature: A Cultural History