Del i serien Culture and History of the Ancient Near East

On Art in the Ancient Near East Volume I

Of the First Millennium BCE

Inbunden, Engelska, 2009

4 929 kr

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This volume of collected essays brings together for the first time the range of Winter’s pioneering studies related to Neo-Assyrian relief sculpture and seals, Phoenician and Syrian ivory and bronze production, and inter-polity connections across the various cultures of first millennium B.C.E. from the Aegean to Iran. Consistent threads are an emphasis on the potential for art historical analysis to yield ‘history’ in the broadest sense; the importance of making the theoretical frame of interpretation explicit; and the necessity of textual evidence being brought to bear upon elements of formal analysis and archaeological context."These beautifully produced volumes bring together essays written over a 35-year period, creating a whole that is much more than the sum of its parts...No library should be without this impressive collection."J.C. Exum

Produktinformation

Utgivningsdatum2009-11-10
Mått155 x 235 x 42 mm
Vikt1 122 g
FormatInbunden
SpråkEngelska
SerieCulture and History of the Ancient Near East
Antal sidor640
FörlagBrill
ISBN9789004172371

Tillhör följande kategorier

Konsthistoria inom Kultur
Forntidens historia inom Historia och arkeologi

IRENE J. WINTER, Ph.D. (1973), Columbia University, New York, is William Dorr Boardman Professor, Department of History of Art and Architecture, Harvard University. Her first degree was in Anthropology (Barnard College); her MA in Near Eastern Studies (University of Chicago), her PhD in Art History and Archaeology. Not surprisingly, her extensive publications have tended to be inter-disciplinary in nature.

THE ASSYRIAN PALACE AND RELIEF CARVINGChapter One: Royal Rhetoric and the Development of Historical Narrativein Neo-Assyrian ReliefsChapter Two: Art in Empire: The Royal Image and the Visual Dimensions of Assyrian IdeologyChapter Three: Le Palais imaginaire: Scale and Meaning inthe Iconography of Neo-Assyrian Cylinder SealsChapter Four: Ornament and the “Rhetoric of Abundance” in AssyriaBRONZE AND IVORY/LUXURY GOODSChapter Five: Phoenician and North Syrian Ivory Carvingin Historical Context: Questions of Style and DistributionChapter Six: Carved Ivory Furniture Panels from Nimrud:A Coherent Subgroup of the North Syrian StyleChapter Seven; Is There a South Syrian Style of IvoryCarving in the Early First Millennium b.c.?Chapter Eight: North Syria as a Bronzeworking Centre inthe Early First Millennium b.c.: Luxury Commoditiesat Home and AbroadChapter Nine: North Syrian Ivories and Tell Halaf Reliefs:The Impact of Luxury Goods upon “Major” ArtsChapter Ten: Establishing Group Boundaries: TowardMethodological Refinement in the Determination ofSets as a Prior Condition to the Analysis of CulturalContact and/or Innovation in First Millennium b.c.e.Ivory CarvingINTERACTIONS OF TIME AND SPACEChapter Eleven: Perspective on the “Local Style” of Hasanlu IVB: A Study in Receptivity Chapter Twelve: On the Problems of Karatepe: The Reliefs and Their ContextChapter Thirteen: Art as Evidence for Interaction:Relations between the Assyrian Empire and North SyriaChapter Fourteen: Carchemish ša kišad purattiChapter Fifteen: Homer’s Phoenicians: History, Ethnography, or Literary Trope? [A Perspective on Early Orientalism]