Alex Danchev (1955–2016) was Professor of International Relations at the University of St Andrews, and the recipient of a Leverhulme Major Research Fellowship for 2014-17. He was the author of a number of internationally acclaimed biographies, most recently Cézanne (2012), and an influential collection of essays, On Art and War and Terror (2009). He was also the editor of the best-selling 100 Artists’ Manifestos (2011).

• Introduction: Out of the Marvellous, or, Scholarship and the Magic Arts; 1. The Artist and the Terrorist, or, The Paintable and the Unpaintable: Gerhard Richter and the Baader-Meinhof Group; 2. The Face, or, Senseless Kindness: War Photography and the Ethics of Responsibility; 3. Provenance, or, Authenticity: The Guitar Player and the Arc of a Life; 4. Broomstick Horrors, or, The Fog-Walker in the Wood: Keeping up Appearances in the Great War; 5. The Strategy of Still Life, or, Art and Current Affairs: Georges Braque and the Occupation; 6. All This Happened, or, The Real Waugh: Sword of Honour and the Literature of the Second World War; 7. The Secret Life, or, The Soldier's Tale: Military Diaries; 8. Like a Dog, or, Animal House on the Night Shift: Kafka and Abu Ghraib; 9. It's All Fucked Up, or, The Non-Fiction Horror Movie: The Cinema and the War on Terror; 10. Waiting for the Barbarians, or, The Hospitality of War: Civilization and Barbarism in the War on Terror; Acknowledgements; Index.

A deeply learned, far-reaching and thought-provoking book.