Nurit Buchweitz is a Senior Lecturer of Comparative Literature at Beit Berl College in Israel. She has previously published the books Permit to Pass: Generation Shift, Meir Wiezeltier and the Poetry of the 1960s (2008, Hebrew); In Other[s] Words: Studies in Hebrew and Arabic Literature (2010, Hebrew); Sensational Visual Pleasures in Cinema, Literature and Visual Culture: the Phallic Eye (2014).

• Contents: The Map, the Territory and the Poetics: Introduction – Passive-Activism: A Modular Narration – Familiarity, Kinship, and the Autobiographical Topos – Visions of the Future, Persistence of the Real: A Quest – Art, Literature, and the Market: The Viewer/Reader as Voyeur – The Cult of Happiness: A Gnostic Theology – Pornography and the Post-human.

Nurit Buchweitz is a Senior Lecturer of Comparative Literature at Beit Berl College in Israel. She has previously published the books Permit to Pass: Generation Shift, Meir Wiezeltier and the Poetry of the 1960s (2008, Hebrew); In Other[s] Words: Studies in Hebrew and Arabic Literature (2010, Hebrew); Sensational Visual Pleasures in Cinema, Literature and Visual Culture: the Phallic Eye (2014).

• Contents: The Map, the Territory and the Poetics: Introduction – Passive-Activism: A Modular Narration – Familiarity, Kinship, and the Autobiographical Topos – Visions of the Future, Persistence of the Real: A Quest – Art, Literature, and the Market: The Viewer/Reader as Voyeur – The Cult of Happiness: A Gnostic Theology – Pornography and the Post-human.

Nurit Buchweitz is a Senior Lecturer of Comparative Literature at Beit Berl College in Israel. She has previously published the books Permit to Pass: Generation Shift, Meir Wiezeltier and the Poetry of the 1960s (2008, Hebrew); In Other[s] Words: Studies in Hebrew and Arabic Literature (2010, Hebrew); Sensational Visual Pleasures in Cinema, Literature and Visual Culture: the Phallic Eye (2014).

• Contents: The Map, the Territory and the Poetics: Introduction – Passive-Activism: A Modular Narration – Familiarity, Kinship, and the Autobiographical Topos – Visions of the Future, Persistence of the Real: A Quest – Art, Literature, and the Market: The Viewer/Reader as Voyeur – The Cult of Happiness: A Gnostic Theology – Pornography and the Post-human.