Off Screen

Bruno, Giuliana; Nadotti, Maria

• Foreword Laura Mulvey 1. Off Screen: An Introduction Part 1: The ‘150 Hours’ 2. Editors’ Introduction 3. Women’s Cinema: A Look at Female Identity 4. Conditions of Illusion 5. Ecstasy, Coldness, and the Sadness which is Freedom 6. Introduction to the Script of the Film 7. Script of the Film 8. On the Margins of Feminist Discourse: The Experience of the ‘150 Hours Courses’ Part 2: Criticism: Theory/Practice 9. Female Identity and Italian Cinema of the 1950s 10. The Accessibility of the Text: An Analysis of The Lady from Shanghai 11. Language and the Female Subject Part 3: Film Production 12. An Affectionate and Irreverent Account of Eighty Years of Women’s Cinema in Italy 13. Filmography: Women in Film in Italy