Katie Donovan was educated at Trinity College Dublin and The University of California at Berkeley. She has published five books of poetry, all with Bloodaxe Books: Watermelon Man (1993), Entering the Mare (1997), Day of the Dead (2002), Rootling: New & Selected Poems (2010), and Off Duty (2016), which was shortlisted for the Irish Times–Poetry Now Award. Born in 1962, she spent her childhood on a farm in Co. Wexford before moving to Dún Laoghaire, a suburb of Dublin where she still lives. She has worked as a journalist with The Irish Times, a Creative Writing Teacher at the Institute of Art, Design and Technology (in Dún Laoghaire), and currently teaches Creative Writing at NUI Maynooth. Her work has been widely anthologised, most recently in The Wake Forest Book of Irish Women’s Poetry, edited by Peggy O’Brien, and in Bloodaxe's Staying Alive: Real Poems for Unreal Times, edited by Neil Astley. She is the author of Irish Women Writers: Marginalised by Whom? (Raven Arts Press, 1988), and has co-edited two anthologies, Dublines (with Brendan Kennelly), published by Bloodaxe Books in 1996, and Ireland's Women: Writings Past and Present (with A. Norman Jeffares and Brendan Kennelly), published by Kyle Cathie (Britain) and Gill and Macmillan (Ireland) in 1994. In 2017 she was awarded the 21st Lawrence O'Shaughnessy Award for Poetry.

'The voice of these poems is unpretentious, funny, earthy, honest and bursting with energy... It's her craft, however, that creates the illusion of high-spirited spontaneity and buoyancy... In this new book Donovan's remarkable fertility with imagery serves a profound exploration of the first and last mysteries of the flesh.' - Peggy O'Brien, The Irish Times; 'These are subjects at the core of human experience, made poignantly luminous by Donovan's assured touch and uncluttered poetic language.' - Dr Charlotte Beyer, Iota; 'Donovan has an exceptional descriptive gift...a highly idiosyncratic, individualistic writer who probes experiences for hidden meanings...her seeming introversion is expressed through a poetry of great solidity and tactility... She covers a remarkable range...extending from the powerful elegies and international death-rituals of the opening poems to smart human parables.' - Bernard O'Donoghue, Irish Times