LYNDA HART is an Assistant Professor of English at Xavier University in Cincinnati where she teaches Modern and Contemporary Drama and Shakespeare.

• Introduction - a love letter; of all the nerve; commentary - beauty and the beast; 970 - DEBB; commentary - the girl can't help it; gestation; commentary - there's a party going on in here; of mice, bugs and woen; commentary - a little night music; carthieves! joyrides!; commentary - making time; o wholly night and other Jewish solecisms; commentary - like a virgin; critical mass; commentary - going critical.

"New York-based performance artist Margolin isn't nearly as well known as such more outrageous, taboo-flouting peers....That is a shame because Margolin creates intelligent, incisive, richly textured pieces that put the often subliterate work of higher-profile artists to shame. She began her career in the early '80s, writing material for the feminist troupe Split Britches, making a name for angry but intensely funny deconstructions of the world. By the early '90s, she was on her own, with status in the downtown scene, regularly receiving kudos in the Village Voice and the rest of the New York press. Of All the Nerve includes the scripts of seven solo shows. The title piece, a wonderful, whimsical meditation on the nature of performance and a performer's life in New York, combines with the others to reveal Margolin's full range. The scripts are accompanied by essays and commentaries by Lynda Hart that...make quite a contrast to Margolin's accessible, carefully crafted writing."--Booklist

LYNDA HART is an Assistant Professor of English at Xavier University in Cincinnati where she teaches Modern and Contemporary Drama and Shakespeare.

• Introduction - a love letter; of all the nerve; commentary - beauty and the beast; 970 - DEBB; commentary - the girl can't help it; gestation; commentary - there's a party going on in here; of mice, bugs and woen; commentary - a little night music; carthieves! joyrides!; commentary - making time; o wholly night and other Jewish solecisms; commentary - like a virgin; critical mass; commentary - going critical.

"New York-based performance artist Margolin isn't nearly as well known as such more outrageous, taboo-flouting peers....That is a shame because Margolin creates intelligent, incisive, richly textured pieces that put the often subliterate work of higher-profile artists to shame. She began her career in the early '80s, writing material for the feminist troupe Split Britches, making a name for angry but intensely funny deconstructions of the world. By the early '90s, she was on her own, with status in the downtown scene, regularly receiving kudos in the Village Voice and the rest of the New York press. Of All the Nerve includes the scripts of seven solo shows. The title piece, a wonderful, whimsical meditation on the nature of performance and a performer's life in New York, combines with the others to reveal Margolin's full range. The scripts are accompanied by essays and commentaries by Lynda Hart that...make quite a contrast to Margolin's accessible, carefully crafted writing."--Booklist

LYNDA HART is an Assistant Professor of English at Xavier University in Cincinnati where she teaches Modern and Contemporary Drama and Shakespeare.

• Introduction - a love letter; of all the nerve; commentary - beauty and the beast; 970 - DEBB; commentary - the girl can't help it; gestation; commentary - there's a party going on in here; of mice, bugs and woen; commentary - a little night music; carthieves! joyrides!; commentary - making time; o wholly night and other Jewish solecisms; commentary - like a virgin; critical mass; commentary - going critical.

"New York-based performance artist Margolin isn't nearly as well known as such more outrageous, taboo-flouting peers....That is a shame because Margolin creates intelligent, incisive, richly textured pieces that put the often subliterate work of higher-profile artists to shame. She began her career in the early '80s, writing material for the feminist troupe Split Britches, making a name for angry but intensely funny deconstructions of the world. By the early '90s, she was on her own, with status in the downtown scene, regularly receiving kudos in the Village Voice and the rest of the New York press. Of All the Nerve includes the scripts of seven solo shows. The title piece, a wonderful, whimsical meditation on the nature of performance and a performer's life in New York, combines with the others to reveal Margolin's full range. The scripts are accompanied by essays and commentaries by Lynda Hart that...make quite a contrast to Margolin's accessible, carefully crafted writing."--Booklist