Nothing from Nothing

A Novella for None

Häftad, Engelska, 2009

139 kr

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Some have called this book the greatest novella of the modern era, others have named it the finest example of philosophical thinking in the last fifty years. Scholars have declared it a rare and astounding menippean satire, a seriocomic stroll through the carnival of life. Unfortunately few of these admiring critics were sober; those that were not inebriated were of questionable sanity; and none were willing to be quoted here. This is a new and revolutionary book in which the reader constructs the meaning of what is read, and what the obsequious critics missed is that without their construction there is no meaning at all contained within these pages.

Produktinformation

Utgivningsdatum2009-12-01
Mått180 x 100 x 32 mm
Vikt96 g
FormatHäftad
SpråkEngelska
SerieSentient Publications
Antal sidor111
FörlagSentient Publications
ISBN9781591810889

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N. Nosirrah resides in a vast but discontinuous universe where he writes fascinating cryptic novellas for a small, rabid following of readers old enough to know better but unable to help themselves or anyone else. He is the author of 2013: How to Profit from the Prophets in the Coming End of the World, God Is an Atheist: A Novella for Those Who Have Run Out of Time, and Nothing from Nothing: A Novella for None.

Everything in this book, from the very title and name of the author, is playfully nihilistic, and not to be taken seriously. The author, it might be said, is carrying out the work of Shiva the destroyer, to bring down every preconception we might have about belief, art, the self, the novel, meaning, and existence itself. Yet like the wisdom of yoga, there is a redeeming wisdom here which can delight in the very spirit of playful dance, in which destruction and creation are two faces of the same art. From the very beginning, the so-called Editor's Preface, by a Lydia Smyth, is suspect, along with the Foreword by a dubious Nebirk Yallip. Later in the text the author interjects conversation with said editor, hinting also at personal relationship issues with her (among other attractions). These digressions are par for the course in a narrative that follows no linear thread, but the sparking digressions of a brain wired to everything and nothing at once. The approach is ironic, in the tradition of Tristam Shandy. It is Nietzchean, in its bold broad strokes of overturning every conventional assumption in favor of a revolutionary insistence on the power of truth in the momentary impulse of expression. It is post-modern, discursive, tangential, irreverent, profane, fearless. It is at once "not an easy read" and effortless. --Alternative Culture Blog