Dr Liesbeth Groot Nibbelink is a Lecturer and Researcher in Theatre and Performance Studies at Utrecht University, Netherlands.

• List of FiguresAcknowledgements1 Introduction: Deterritorializing the Stage Primary CoordinatesOn the MoveTheatre, Technology, MobilityA Note on ParticipationTheatre, Performance, MovementDeterritorializationPauseDeleuze’s NomadsNomadic Theatre: A Concept, a ToolboxTheory as Tool: How to Do Things with Deleuze?Spatial DramaturgyPoints Are Relays on a Trajectory: Chapter OverviewPlaygrounding 2 Encounter: Meeting Multiplicity in Dries Verhoeven’s No Man’s LandOf Horses and WaspsThe Rhythms of a Smooth StageMind the GapPerformance InstallationsStaging the SpectatorWalking with AbderraghmanTriads and ConstellationsA Problem of ReferentialityThis Is Not My Voice: A Problem of Referentiality, Part 2Fractured ReciprocityBuilding PerformanceExpanding Spectatorship3 Displacement: The Situated Pathways of Rimini ProtokollUrban MovesThe City as StageTheatre Goes GlobalThe Production of SpacePerforming LocalityNavigating RepresentationOutsourced PerformanceParallax4 Cartographies: Trail Tracking and Map-Making as Staging StrategyYou Are HereCartography: Fifth Principle of the RhizomeThe Theatre of CartographyPerforming CartographyCharting the VirtualNavigational SpacesPersonal VelocityMaterial MapsThinking Subjectivity Through Space: Politics of LocationWitnessed PresenceThe Cartography of Theatre5 Diagrams: Staging Proximity in Ontroerend Goed’s The Smile Off Your FaceA Nomad Does Not Necessarily MoveA Wheelchair’s ThresholdsPleats of ProximityEvent/SituationInto the LaboratoryThinking Through the DiagramThe Grid of CapitalDistributions of the SensibleA Spectator in the DarkThe Dramaturgy of ProximityA Theatre of Folds6 Architextures: The Rhizomatic Gameboards of Signa’s The Ruby Town OracleDrifting /DwellingBorderzonesNarrative Architecture and Environmental StorytellingArchitectural PerformancesEvocative SpacesProcedural PassagewaysPlaying at the LimitsThe Entirety of the MapTissue, Traces, Tracks7 Distributed Performance: EpiloguePop-up StoresTrajectories of the StageFolds of SpectatingLived Space and Diffractive Reading Staging ConnectionsProcedural Dramaturgy /When Attitude Becomes Form Thinking Through PracticeThresholds of the ImaginationNotesBibliographyIndex

This book makes a valuable early addition to Methuen’s new series: Thinking Through Theatre.

Dr Liesbeth Groot Nibbelink is a Lecturer and Researcher in Theatre and Performance Studies at Utrecht University, Netherlands.

• List of FiguresAcknowledgements1 Introduction: Deterritorializing the Stage Primary CoordinatesOn the MoveTheatre, Technology, MobilityA Note on ParticipationTheatre, Performance, MovementDeterritorializationPauseDeleuze’s NomadsNomadic Theatre: A Concept, a ToolboxTheory as Tool: How to Do Things with Deleuze?Spatial DramaturgyPoints Are Relays on a Trajectory: Chapter OverviewPlaygrounding 2 Encounter: Meeting Multiplicity in Dries Verhoeven’s No Man’s LandOf Horses and WaspsThe Rhythms of a Smooth StageMind the GapPerformance InstallationsStaging the SpectatorWalking with AbderraghmanTriads and ConstellationsA Problem of ReferentialityThis Is Not My Voice: A Problem of Referentiality, Part 2Fractured ReciprocityBuilding PerformanceExpanding Spectatorship3 Displacement: The Situated Pathways of Rimini ProtokollUrban MovesThe City as StageTheatre Goes GlobalThe Production of SpacePerforming LocalityNavigating RepresentationOutsourced PerformanceParallax4 Cartographies: Trail Tracking and Map-Making as Staging StrategyYou Are HereCartography: Fifth Principle of the RhizomeThe Theatre of CartographyPerforming CartographyCharting the VirtualNavigational SpacesPersonal VelocityMaterial MapsThinking Subjectivity Through Space: Politics of LocationWitnessed PresenceThe Cartography of Theatre5 Diagrams: Staging Proximity in Ontroerend Goed’s The Smile Off Your FaceA Nomad Does Not Necessarily MoveA Wheelchair’s ThresholdsPleats of ProximityEvent/SituationInto the LaboratoryThinking Through the DiagramThe Grid of CapitalDistributions of the SensibleA Spectator in the DarkThe Dramaturgy of ProximityA Theatre of Folds6 Architextures: The Rhizomatic Gameboards of Signa’s The Ruby Town OracleDrifting /DwellingBorderzonesNarrative Architecture and Environmental StorytellingArchitectural PerformancesEvocative SpacesProcedural PassagewaysPlaying at the LimitsThe Entirety of the MapTissue, Traces, Tracks7 Distributed Performance: EpiloguePop-up StoresTrajectories of the StageFolds of SpectatingLived Space and Diffractive Reading Staging ConnectionsProcedural Dramaturgy /When Attitude Becomes Form Thinking Through PracticeThresholds of the ImaginationNotesBibliographyIndex

This book makes a valuable early addition to Methuen’s new series: Thinking Through Theatre.

Dr Liesbeth Groot Nibbelink is a Lecturer and Researcher in Theatre and Performance Studies at Utrecht University, Netherlands.

• List of FiguresAcknowledgements1 Introduction: Deterritorializing the Stage Primary CoordinatesOn the MoveTheatre, Technology, MobilityA Note on ParticipationTheatre, Performance, MovementDeterritorializationPauseDeleuze’s NomadsNomadic Theatre: A Concept, a ToolboxTheory as Tool: How to Do Things with Deleuze?Spatial DramaturgyPoints Are Relays on a Trajectory: Chapter OverviewPlaygrounding 2 Encounter: Meeting Multiplicity in Dries Verhoeven’s No Man’s LandOf Horses and WaspsThe Rhythms of a Smooth StageMind the GapPerformance InstallationsStaging the SpectatorWalking with AbderraghmanTriads and ConstellationsA Problem of ReferentialityThis Is Not My Voice: A Problem of Referentiality, Part 2Fractured ReciprocityBuilding PerformanceExpanding Spectatorship3 Displacement: The Situated Pathways of Rimini ProtokollUrban MovesThe City as StageTheatre Goes GlobalThe Production of SpacePerforming LocalityNavigating RepresentationOutsourced PerformanceParallax4 Cartographies: Trail Tracking and Map-Making as Staging StrategyYou Are HereCartography: Fifth Principle of the RhizomeThe Theatre of CartographyPerforming CartographyCharting the VirtualNavigational SpacesPersonal VelocityMaterial MapsThinking Subjectivity Through Space: Politics of LocationWitnessed PresenceThe Cartography of Theatre5 Diagrams: Staging Proximity in Ontroerend Goed’s The Smile Off Your FaceA Nomad Does Not Necessarily MoveA Wheelchair’s ThresholdsPleats of ProximityEvent/SituationInto the LaboratoryThinking Through the DiagramThe Grid of CapitalDistributions of the SensibleA Spectator in the DarkThe Dramaturgy of ProximityA Theatre of Folds6 Architextures: The Rhizomatic Gameboards of Signa’s The Ruby Town OracleDrifting /DwellingBorderzonesNarrative Architecture and Environmental StorytellingArchitectural PerformancesEvocative SpacesProcedural PassagewaysPlaying at the LimitsThe Entirety of the MapTissue, Traces, Tracks7 Distributed Performance: EpiloguePop-up StoresTrajectories of the StageFolds of SpectatingLived Space and Diffractive Reading Staging ConnectionsProcedural Dramaturgy /When Attitude Becomes Form Thinking Through PracticeThresholds of the ImaginationNotesBibliographyIndex

This book makes a valuable early addition to Methuen’s new series: Thinking Through Theatre.