Jerrod Schwarz teaches creative writing at the University of Tampa and manages poetry for Driftwood Press. His frst chapbook conjure was published by Thirty West Publishing House in 2019. His poetry has been featured or published in VICE, New Republic, PANK, Entropy, The Plath Project, and more. He lives in Tampa with his wife and twin toddlers.

“These poems are shaded in violence and manipulation— but that’s what it takes to understand the dynamics of the Manson family. The power of Schwarz’s craft is that it slows down, as if sculpting from granite, while also showing a capacious flex of rhythms and ambitions. There’s a brightness of approach here, even within the terrible dark of events at hand.”—Sandra Beasley, author of Count the Waves “As if we are following the Manson family against our will, No Name Atkins is equally dangerous and mystical. Schwarz’s deft hand paints these vignettes in masterful, touching, and vivid ways, utilizing language and metaphor to describe what only a few eyes could see. We witness a resurrection of a story that has long fallen out of the public eye.”—Josh Dale, writer and publisher at Thirty West Publishing House “Schwarz has multi-faceted camera of a voice, doing fearless close ups but having the craft to back away when needed to take in the true horror of how Charles Manson dehumanized those in his cult.”—Christoph Paul, author of Horror Film Poems & At Least I Get You < In My Art

Jerrod Schwarz teaches creative writing at the University of Tampa and manages poetry for Driftwood Press. His frst chapbook conjure was published by Thirty West Publishing House in 2019. His poetry has been featured or published in VICE, New Republic, PANK, Entropy, The Plath Project, and more. He lives in Tampa with his wife and twin toddlers.

“These poems are shaded in violence and manipulation— but that’s what it takes to understand the dynamics of the Manson family. The power of Schwarz’s craft is that it slows down, as if sculpting from granite, while also showing a capacious flex of rhythms and ambitions. There’s a brightness of approach here, even within the terrible dark of events at hand.”—Sandra Beasley, author of Count the Waves “As if we are following the Manson family against our will, No Name Atkins is equally dangerous and mystical. Schwarz’s deft hand paints these vignettes in masterful, touching, and vivid ways, utilizing language and metaphor to describe what only a few eyes could see. We witness a resurrection of a story that has long fallen out of the public eye.”—Josh Dale, writer and publisher at Thirty West Publishing House “Schwarz has multi-faceted camera of a voice, doing fearless close ups but having the craft to back away when needed to take in the true horror of how Charles Manson dehumanized those in his cult.”—Christoph Paul, author of Horror Film Poems & At Least I Get You < In My Art

Jerrod Schwarz teaches creative writing at the University of Tampa and manages poetry for Driftwood Press. His frst chapbook conjure was published by Thirty West Publishing House in 2019. His poetry has been featured or published in VICE, New Republic, PANK, Entropy, The Plath Project, and more. He lives in Tampa with his wife and twin toddlers.

“These poems are shaded in violence and manipulation— but that’s what it takes to understand the dynamics of the Manson family. The power of Schwarz’s craft is that it slows down, as if sculpting from granite, while also showing a capacious flex of rhythms and ambitions. There’s a brightness of approach here, even within the terrible dark of events at hand.”—Sandra Beasley, author of Count the Waves “As if we are following the Manson family against our will, No Name Atkins is equally dangerous and mystical. Schwarz’s deft hand paints these vignettes in masterful, touching, and vivid ways, utilizing language and metaphor to describe what only a few eyes could see. We witness a resurrection of a story that has long fallen out of the public eye.”—Josh Dale, writer and publisher at Thirty West Publishing House “Schwarz has multi-faceted camera of a voice, doing fearless close ups but having the craft to back away when needed to take in the true horror of how Charles Manson dehumanized those in his cult.”—Christoph Paul, author of Horror Film Poems & At Least I Get You < In My Art