Nineteenth-Century Poetry

Criticism and Debates

Inbunden, Engelska, 2015

Av Jonathan Herapath, Emma Mason, UK) Herapath, Jonathan (Wadham College, Oxford, UK) Mason, Emma (University of Warwick

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This engaging volume provides readers with the essential criticism on nineteenth-century poetry, organised around key areas of debate in the field. The critical texts included in this volume reflect both a traditional and modern emphasis on the study of poetry in the long nineteenth century. These are then tied up by a newly written essay summarising the ideas and encouraging further study and debate.The book includes:sections on Periodization; ‘What is Poetry?’; Politics; Prosody; Forms; Emotion, feeling, affect; Religion; Sexuality; and Sciencework by writers such as William Wordsworth, S. T. Coleridge, Percy Shelley, Christina Rossetti, Matthew Arnold and Gerard Manley Hopkinscritics and historians including Isobel Armstrong, Richard Cronin, Jason Rudy, Joseph Bristow and Gillian BeerDetailed introductions and critical commentary by Francis O’Gorman, Rosie Miles, Stefano Evangelisto, Natalie Hoffman, Martin Dubois, Gregory TateProviding both the essential criticism along with clear introductions and analysis, this book is the perfect guide to students who wish to engage in the exciting criticism and debates of nineteenth-century poetry.

Produktinformation

Utgivningsdatum2015-11-30
Mått174 x 246 x 31 mm
Vikt1 060 g
FormatInbunden
SpråkEngelska
SerieRoutledge Criticism and Debates in Literature
Antal sidor472
FörlagTaylor & Francis Ltd
ISBN9780415831291

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Introduction, Emma MasonPart 1: PeriodizationIntroduction, Francis O’Gorman1. Preface to Poems, Matthew Arnold2. Romanticism as a "Modern Tradition", Robert Langbaum3. Poetry and its Times, Matthew Reynolds4. Rhythm and Will, Matthew Campbell5. E. C. Stedman and the Invention of Victorian Poetry, Michael C. CohenPart 2: ‘What is poetry?’Introduction, Rosie Miles6. A Defence of Poetry, P. B. Shelley7. What is poetry?, J. S. Mill8. Introduction, Eric Griffiths9. What kind of a critical category is "women’s poetry"?, Marion Thain10. Female Picturesque and Colonial Settings in the Gift Books, Serena BaiesiPart 3: PoliticsIntroduction, Ankhi Mukherjee11. Elizabeth Barrett Browning, Angela Leighton12. Introduction, Isobel Armstrong13. Introduction, Mike Sanders14. Introduction, Matthew Bevis15. Introduction, Mary Ellis GibsonPart 4: ProsodyIntroduction, Natalie Hoffman16. XVIII: Language of Metrical Composition, S. T. Coleridge17. English Metrical Law, Coventry Patmore18. Investigation of Sound as Artistic Material, Sidney Lanier19. Prosody Wars, Meredith Martin20. Rhyme's End, Adela PinchPart 5: FormsIntroduction, Martin Dubois21. Poetics, E. S. Dallas22. Ancient or Modern, Ancient and Modern, J. R. Watson23. Introduction, Herbert Tucker24. The Sonnet and the Lyric Sequence, Joseph Phelan25. The Divided Self and the Dramatic Monologue, Richard CroninPart 6: Emotion, feeling, affectIntroduction: Emma Mason26. Preface to the Lyrical Ballads, William Wordsworth27. Lecture 1, John Keble28. The role and treatment of emotion in Victorian criticism of poetry, Isobel Armstrong29. Coleridge to Wilde, Adam Potkay30. Soul: Inside Hopkins, William CohenPart 7: ReligionIntroduction: Jonathan Herapath31. Tracts 80 and 87: On Reserve, Isaac Williams32. The Face of the Deep, Christina Rossetti33. Hopkins, J. Hillis Miller34. Robert Browning’s Sacred and Legendary Art, Charles LaPorte35. Introduction, Kirstie BlairPart 8: SexualityIntroduction, Stefano Evangelisto36. The Poetry of Sorrow, Manley Hopkins37. The Fleshly School of Poetry, Robert Buchanan38. Sexual Inversion: Studies in the Psychology of Sex, Havelock Ellis39. Wilde’s fatal effeminacy, Joseph Bristow40. Introduction, Yopie PrinsPart 9. ScienceIntroduction, Gregory Tate41. Science Versus Poetry, William Chambers and Robert Chambers42. Thoughts on a Pebble, or a First Lesson in Geology, G. A. Mantell43. Helmholtz, Tyndall, Gerard Manley Hopkins: Leaps of the Prepared Imagination, Gillian Beer44. Introduction, Jason Rudy45. Poetry and Science & Nature as Culture, Culture as Society, Ashton Nichols