Nineteenth Century Art

A Critical History

Häftad, Engelska, 2020

839 kr

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Written by a group of highly respected art historians, the fifth edition of this classic book now features full-colour artworks throughout, new chapter introductions, examinations of key ideas, and other helpful pedagogical support. Emphasizing the vitality of 19th-century art, the authors demonstrate how paintings, sculptures, prints and drawings by David, Géricault, Turner, Homer, Cassatt, Rodin, Van Gogh and many others remain relevant today. Using evocative and lucid prose, the authors reveal how concerns about class and gender, race and ethnicity, modernity and tradition, and popular and elite culture – ideas that arose in the course of the 19th century – motivated artists and propelled the movements under review.

Produktinformation

Utgivningsdatum2020-03-05
Mått127 x 203 x 34 mm
Vikt2 036 g
FormatHäftad
SpråkEngelska
Antal sidor528
Upplaga5
FörlagThames & Hudson Ltd
ISBN9780500294895

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Stephen F. Eisenman is Professor of Art History at Northwestern UniversityLinda Nochlin (1931–2017), described by The New York Times as the “inventor of feminist art history,” was Lila Acheson Wallace professor emerita of modern art at the New York University Institute of the Fine Arts. She wrote extensively on issues of gender in art history and on 19th-century Realism. Her numerous publications include Women, Art and Power; Representing Women; Courbet; and Mise`re. Frances K. Pohl is an Emerita Professor of Art History at Pomona College in Claremont, California. She received her Ph.D. from the University of California, Los Angeles. While at Pomona College, she taught a wide variety of courses in nineteenth- and twentieth-century North American art. Her work has focused on the art of the United States, in particular the work of Ben Shahn, about whom she has written two books, and the relationship between the visual arts and working-class culture. Professor Pohl taught in the United States for many years, but her Canadian origins give her a unique continental perspective on American art.