Nine Bar Blues

Sheree Renée Thomas is an award-winning fiction writer, poet, and editor. Her work is inspired by myth and folklore, natural science and conjure, her roots in Memphis, and in the genius culture created in the Mississippi Delta. Sheree’s stories and poetry explore ordinary people facing extraordinary circumstances.She is the author of Sleeping Under the Tree of Life (Aqueduct Press), honored with a Publishers Weekly Starred Review and longlisted for the 2016 James Tiptree, Jr. Award, and of Shotgun Lullabies (2011), described as “a revelatory work like Jean Toomer’s Cane.” Thomas edited the two Dark Matter (Hachette) black speculative fiction volumes that first introduced W. E. B. Du Bois’s work as science fiction, winning two World Fantasy Awards (2001, 2005).Her work appears in numerous anthologies and literary journals, including The Big Book of Modern Fantasy, Sycorax’s Daughters, Do Not Go Quietly, So Long Been Dreaming: Postcolonial Science Fiction & Fantasy, Memphis Noir, Revise the Psalm: Work Celebrating the Writing of Gwendolyn Brooks, Afrofuturo(s), Ghost Fishing: Eco-Justice Poetry Anthology, The Ringing Ear, Apex Magazine, FIYAH Magazine, Callaloo, Fireside Quarterly, African Voices, Jalada, Strange Horizons, Blacktasticon, Mojo Rising: Contemporary Writers, Mojo: Conjure Stories, Stories for Chip: Tribute to Samuel R. Delany, 80! Memories and Reflections On Ursula K. Le Guin, and Harvard’s Transition.She is the Associate Editor of Obsidian: Literature & Arts in the African Diaspora (Illinois State University, Normal), the Founding Editor of MOJO: Journal of the Black Speculative Arts Movement, and the co-editor of Trouble the Waters: Tales of the Deep Blue (Rosarium). Honored with fellowships from Bread Loaf Environmental, the Millay Colony of Arts, Smith College as The Lucille Geier-Lakes Writer in Residence, the New York Foundation of the Arts, VCCA, Cave Canem Foundation, and the Tennessee Arts Commission among others, Thomas’s multigenre writing explores the hidden wonders in the invisible. Her stories have received Notable Mention in the Year’s Best American Science Fiction & Fantasy and Honorable Mention in several volumes of the Year’s Best Fantasy & Horror. Her editorial work uncovered a legacy of over a century of black science fiction writing and helped launch the careers of some of the most exciting new voices in the field.Nine Bar Blues from Third Man Books is Sheree’s debut, all fiction collection. The stories encompass the heart, spirit, and music of the Mississippi Delta and of Memphis, Tennessee, where she was born and currently lives. Visit her on Facebook/Instagram @shereereneethomas Twitter @blackpotmojo

• Ancestries Aunt Dissy’s Policy Dream Book Nightflight The Dragon Can’t Dance Thirteen Year Long Song Lokeera’s Tongue Stars Come Down Shanequa’s Blues, or Another Shotgun Lullaby Madame and the Map: A Journey in Five Movements Teddy Bump Origins of Southern Spirit Music

"Sheree Renée Thomas gives us a whirlpool of poem and story, a 'wild and strangeful breed' of cosmology … ”—Tyehimba Jess, Pulitzer Prize Winner, author of Olio and Leadbelly “…a feat of literary conjuration. Poetry, prose combine in a mythic discourse that combines African, Indigenous, and European tropes to explore the power and plaints of woman hood; the thin line between life and death; the power of the Fates; the volatility of nature; a desire for and the achievement of transformation.... The texts here offer a profound understanding of the Black American South—where trees are sources of shade and succor or memorials to humanity's murderous traits. And it is a sly portrait of Memphis, Tennessee, Thomas' hometown. This is a bold book full of taller than tall tales and delicate lyrics-where birth, death, sex, magic and discovery walk the same path and haunt the writer's dreams. Join her on this journey and find out what it is like to sleep under that tree." —Patricia Spears Jones, Jackson Prize Winner, author of A Lucent Fire: New and Selected, Painkiller, Femme du Monde, and The Weather That Kills“The lyrical gifts of Thomas, editor of the celebrated Dark Matter anthologies.... She invokes the rhythms of African-American ring shouts and the dense, humid atmosphere of the American South. " —Publishers Weekly