NIME Reader

Fifteen Years of New Interfaces for Musical Expression

Häftad, Engelska, 2018

AvAlexander Refsum Jensenius,Michael J. Lyons

3 199 kr

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NIME is a leading music technology conference, and an important venue for researchers and artists to present and discuss their explorations of musical instruments and technologies.Each of the papers is followed by commentaries written by the original authors and by leading experts.

Produktinformation

Utgivningsdatum2018-07-21
Mått155 x 235 x 29 mm
Vikt791 g
FormatHäftad
SpråkEngelska
SerieCurrent Research in Systematic Musicology
Antal sidor485
FörlagSpringer International Publishing AG
ISBN9783319836829

Tillhör följande kategorier

2001: Principles for Designing Computer Music Controllers.- 2001: Problems and Prospects for Intimate Musical Control of Computers.- 2002: The importance of parameter mapping in electronic instrument design.- 2002: Multimodal Interaction in Music Using the Electromyogram and Relative Position Sensing.- 2002: The Plank: Designing a Simple Haptic Controller.- 2003: Contexts of Collaborative Musical Experiences.- 2003: Sonigraphical Instruments: From FMOL to the reacTable*.- 2003: Designing, Playing, and Performing with a Vision-based Mouth Interface.- 2003: OpenSound Control: State of the Art 2003.- 2004: The Electronic Sitar Controller.- 2004: PebbleBox and CrumbleBag: Tactile Interfaces for Granular Synthesis.- 2004: Toward a Generalized Friction Controller: From the Bowed String to Unusual Musical Instruments.- 2004: On-the-fly Programming: Using Code as an Expressive Musical Instrument.- 2005: Towards a Dimension Space for Musical Devices.- 2005: The Overtone Violin.- 2006: Sensemble: A Wireless, Compact, Multi-User Sensor System for Interactive Dance.- 2006: Mobile Music Technology: Report on an Emerging Community.- 2007: Wireless Sensor Interface and Gesture-Follower for Music Pedagogy.- 2007: Don’t Forget the Laptop: Using Native Input Capabilities for Expressive Musical Control.- 2007: Expression and its Discontents: Toward an Ecology of Musical Creation.- 2007: The Acoustic, the Digital and the Body: A Survey on Musical Instruments.- 2008: Eight Years of Practice on the Hyper-Flute: Technological and Musical Perspectives.- 2009: A History of Hemispherical Speakers at Princeton, Plus a DIY Guide.- 2011: Satellite CCRMA: A Musical Interaction and Sound Synthesis Platform.- 2012: The Fingerphone: a Case Study of Sustainable Instrument Redesign.- 2012: To be inside someone else’s dream: Music for Sleeping & Waking Minds.- 2012:TouchKeys: Capacitive Multi-Touch Sensing on a Physical Keyboard.- 2013: The Web Browser As Synthesizer And Interface.- 2014: To Gesture or Not? An Analysis of Terminology in NIME Proceedings 2001–2013.- 2015: Fourteen Years of NIME: The Value and Meaning of ‘Community’ in Interactive Music Research.