New Transnationalisms in Contemporary Latin American Cinemas

Dolores Tierney is Professor and Head of Film Studies in the School of Media, Arts and Humanities at the University of Sussex. She is author of Emilio Fernández: Pictures in the Margins (Manchester, 2007) and New Transnationalisms in Contemporary Latin American Cinemas (Edinburgh, 2018) and co-editor of Latsploitation, Exploitation Cinema and Latin American (Routledge, 2009), The Transnational Fantasies of Guillermo del Toro (Palgrave Macmillan, 2014) and Ana M. Lopez: Essays (SUNY, 2023)

• AcknowledgementsList of ImagesList of TablesIntroduction: The Cultural Politics of Transnational Filmmaking; Mexico1: Alejandro González Iñárritu: Mexican Director Without Borders2: From Hollywood and Back: Alfonso Cuarón’s Adventures in Genre3: Transnational Political Horror in Cronos (1993), El espinazo del Diablo (The Devil’s Backbone 2001) and El laberinto del fauno (Pan’s Labyrinth 2006); Brazil4: Fernando Meirelles as Transnational Auteur5: Revolutionary Road Movies: Walter Salles’ Diarios de motocicleta (Motorcycle Diaries, 2004) and On the Road (2012); Argentina6: Juan José Campanella: Historical Memory and Accountability in El secreto de sus ojos (The Secret In Their Eyes 2009)Epilogue: Gravity (Alfonso Cuarón 2013), Birdman (Alejandro G. Iñárritu 2014), The Revenant (G. Iñárritu, 2015) and Crimson Peak (Guillermo del Toro 2015)Select FilmographyBibliography