New Histories of Art in the Global Postwar Era

Multiple Modernisms

Häftad, Engelska, 2022

AvFlavia Frigeri,Kristian Handberg,Flavia (University College London) Frigeri,Kristian (University of Copenhagen) Handberg

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This book maps key moments in the history of postwar art from a global perspective. The reader is introduced to a new globally oriented approach to art, artists, museums and movements of the postwar era (1945–70). Specifically, this book bridges the gap between historical artistic centers, such as Paris and New York, and peripheral loci. Through case studies, previously unknown networks, circulations, divides and controversies are brought to light. From the development of Ethiopian modernism, to the showcase of Brazilian modernity, this book provides readers with a new set of coordinates and a reassessment of well-trodden art historical narratives around modernism. This book will be of interest to scholars in art historiography, art history, exhibition and curatorial studies, modern art and globalization.

Produktinformation

Utgivningsdatum2022-09-26
Mått174 x 246 x 27 mm
Vikt900 g
FormatHäftad
SpråkEngelska
SerieStudies in Art Historiography
Antal sidor252
FörlagTaylor & Francis Ltd
ISBN9780367721541

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Introduction. Towards a New Understanding of Globalism in Postwar ArtFlavia Frigeri and Kristian Handberg 1. Prologue: Art History’s Work-in Pro(re)gress: Reflections on the Multiple Modernities ProjectTerry Smith PART 1 Crossings and Encounters: Retracing Artists’ Itineraries 2. Expression for All: Ferlov, Mancoba, Tajiri and the Art of Cobra Karen Kurczynski3. Origins and Brinks: Multiple Modernisms in Postwar London Giulia Smith4. Multiple Resistances to the Concept of Modernism: The Emergence of Artistic-Poetic Networks between Eastern Europe and Latin America in the late 1960s and 1970s. Katarzyna Cytlak5. Urban Folklore: Marta Minujín's Postwar Assemblage and the Modern City Elize Mazadiego6. Yayoi Kusama as a Migrant Artist: An Artistic Trajectory as a Model for the Understanding of Postwar Art Marie Laurberg7. The Overworked Ground: Franz Erhard Walther in New York Stephanie StrainePART 2 Against the Norm: Decentering and Resisting the Canon 8. Blinded by Mao: The Challenge of Seeing Modernism in Art of the People’s Republic Karen Stock9. "Iranian Modernism" and the Idea of Indigenous Art: Translations, Adoptions and (mis)interpretations Combiz Moussavi-Aghdam10. Camouflaged Dissent – A Plastic Umbrella and Transparent Balloons: "Happenings" in South Korea, 1967–1968Sooran Choi11. A Postcard from Addis: Ethiopian Modernism(s) in the World Kate Cowcher12. The Cultural Politics of Négritude and the Debates around the Brazilian Participation in the First World Festival of Negro Arts (Dakar, 1966) Sabrina Moura13. An Index of Modernity: Feminist Furniture by Teresa Burga and Beatriz GonzálezSofia GottiPART 3 Collecting Modernisms – Exhibiting Modernisms 14. Traveler’s Tales: Alfred Barr, the Soviet Union and International Modernism in the Postwar Period Masha Chlenova15. Displaying Whose Modernity? The Bardis and the Museum of Modern Art of São Paulo Camila Maroja16. Cosmonaut Paintings as Contemporary Art: The Soviet Union at the Venice Biennale, 1956–1968Kristian Handberg17. All that Jazz: Rome’s Galleria Nazionale d’Arte Moderna and the Rise of Abstraction in Postwar ItalyFlavia Frigeri