New Companion to the Libro de buen amor

Ryan D. Giles, Ph.D. (2005), University of North Carolina, is Professor at Indiana University. The author of numerous articles and two other co-edited volumes, his most recent monograph is Inscribed Power: Amulets and Magic in Early Spanish Literature (2017).José Manuel Hidalgo, Ph.D. (2006), University of Virginia, is Professor at Georgia Southern University. He is the author of many articles, co-author of a student edition of Cárcel de amor, and editor of La pluma es lengua del alma (2011).

• AcknowledgementsNotes on ContributorsIntroductionRyan D. Giles and José Manuel HidalgoPART 1Cross-Cultural Contexts1 A Poet in the Court of King AlfonsoThe Libro de Buen Amor in Its Courtly ContextCarlos Heuschbr/>2 Reading the Libro de Buen Amor MulticonfessionallyGregory S. Hutcheson3 Carnal, Carnival and Purim in the Libro de Buen AmorMichelle Hamilton4 Enchanting Go-BetweensMediated Love Magic in the Libro de Buen Amor and Iberian GrimoiresVeronica Menaldi5 Figuring the Lamb and the RamDevotion and Magic in the Pitas Payas Episode of the Libro de Buen AmorErik EkmanPART 2Theoretical and Cross-Disciplinary Approaches6 The Parody of Translation and Representation of Space in the Libro de Buen AmorRyan D. Giles7 For Love of MoneyRhetorical Economics in the Libro de Buen AmorSimone Pinet8 Isorhythmic Motets in the Libro de Buen AmorReading the Archpriest’s Adventures as a Musical CompositionNora C. Benedict9 Sermon, Story, SongReading and Performing the Libro de Buen AmorDenise K. Filios10 Remediating the Libro de Buen AmorImmediacy, Authenticity, and the Pleasure of MediatizationMichael SolomonBibliographyIndex