Marie-Luise Kohlke, Ph.D. (2000), is Senior Lecturer in English Literature at Swansea University (Wales, UK) and General/Founding Editor of Neo-Victorian Studies - www.neovictorianstudies.com. Besides her series co-editorship of Brill │Rodopi’s Neo-Victorian Series, she has published numerous chapters and articles on neo-Victorianism and trauma literature.Christian Gutleben, Ph.D. (1995), is Professor of English Literature at the University of Nice Sophia Antipolis (France) and Chief Editor of the journal Cycnos. He has published several monographs and many papers on contemporary fiction and film and is the series co-editor of Brill│Rodopi’s Neo-Victorian Series.

• ContributorsTaking Biofictional Liberties: Tactical Games and Gambits with Nineteenth-century LivesMarie-Luise Kohlke and Christian GutlebenPart 1: Truths and Post-Truths1 “Who in the world am I?”: Truth, Identity and Desire in Biofictional Representations of Lewis Carroll and Alice LiddellCharlotte Boyce2 Fakery and Historical Figures in the Flashman PapersMatthew Crofts3 Biofictional Author Figures and Post-authentic TruthsRoberta Gefter Wondrich4 The Silence and the Roar: Resonant Encounters with George EliotLaura Savu WalkerPart 2: Forms of Otherness and (Re-)Othering5 Us and Them? Joseph Merrick in Neo-Victorian Children’s FictionHelen Davies6 The Vivisectionist’s Tale: Auto/Biographical Voice and the Queer Fictions of Empire in Ann Harries’s Manly PursuitsJeanne Ellis7 Biofiction and Différance: Tracing Threads of (Neo-) Victorian Women Travellers in the Amelia Peabody Emerson SeriesStacey L.Kikendall8 Biofiction Goes Global: Richard Flanagan’s Wanting, Dickens, and the Lost ChildCatherine LanonePart 3: After-Lives of Fame and Infamy9 Polymath Revisited: Cross-lighting R.F. Burton between Cultural Passing and Steampunk ActionSylvia Mieszkowski10 (Re)Tracing Charlotte Brontë’s Steps: Biofiction as Memory Text in Michèle Roberts’sThe MistressclassSonia Villegas-López11 Julia Margaret Cameron and Archival Imagination: Materiality and Subjectivity in Biofictions of a Victorian PhotographerLucy Smith12 Musical Madness: Biofictional Performances of the Lizzie Borden MurdersMarc NapolitanoIndex

Marie-Luise Kohlke, Ph.D. (2000), is Senior Lecturer in English Literature at Swansea University (Wales, UK) and General/Founding Editor of Neo-Victorian Studies - www.neovictorianstudies.com. Besides her series co-editorship of Brill │Rodopi’s Neo-Victorian Series, she has published numerous chapters and articles on neo-Victorianism and trauma literature.Christian Gutleben, Ph.D. (1995), is Professor of English Literature at the University of Nice Sophia Antipolis (France) and Chief Editor of the journal Cycnos. He has published several monographs and many papers on contemporary fiction and film and is the series co-editor of Brill│Rodopi’s Neo-Victorian Series.

• ContributorsTaking Biofictional Liberties: Tactical Games and Gambits with Nineteenth-century LivesMarie-Luise Kohlke and Christian GutlebenPart 1: Truths and Post-Truths1 “Who in the world am I?”: Truth, Identity and Desire in Biofictional Representations of Lewis Carroll and Alice LiddellCharlotte Boyce2 Fakery and Historical Figures in the Flashman PapersMatthew Crofts3 Biofictional Author Figures and Post-authentic TruthsRoberta Gefter Wondrich4 The Silence and the Roar: Resonant Encounters with George EliotLaura Savu WalkerPart 2: Forms of Otherness and (Re-)Othering5 Us and Them? Joseph Merrick in Neo-Victorian Children’s FictionHelen Davies6 The Vivisectionist’s Tale: Auto/Biographical Voice and the Queer Fictions of Empire in Ann Harries’s Manly PursuitsJeanne Ellis7 Biofiction and Différance: Tracing Threads of (Neo-) Victorian Women Travellers in the Amelia Peabody Emerson SeriesStacey L.Kikendall8 Biofiction Goes Global: Richard Flanagan’s Wanting, Dickens, and the Lost ChildCatherine LanonePart 3: After-Lives of Fame and Infamy9 Polymath Revisited: Cross-lighting R.F. Burton between Cultural Passing and Steampunk ActionSylvia Mieszkowski10 (Re)Tracing Charlotte Brontë’s Steps: Biofiction as Memory Text in Michèle Roberts’sThe MistressclassSonia Villegas-López11 Julia Margaret Cameron and Archival Imagination: Materiality and Subjectivity in Biofictions of a Victorian PhotographerLucy Smith12 Musical Madness: Biofictional Performances of the Lizzie Borden MurdersMarc NapolitanoIndex

Marie-Luise Kohlke, Ph.D. (2000), is Senior Lecturer in English Literature at Swansea University (Wales, UK) and General/Founding Editor of Neo-Victorian Studies - www.neovictorianstudies.com. Besides her series co-editorship of Brill │Rodopi’s Neo-Victorian Series, she has published numerous chapters and articles on neo-Victorianism and trauma literature.Christian Gutleben, Ph.D. (1995), is Professor of English Literature at the University of Nice Sophia Antipolis (France) and Chief Editor of the journal Cycnos. He has published several monographs and many papers on contemporary fiction and film and is the series co-editor of Brill│Rodopi’s Neo-Victorian Series.

• ContributorsTaking Biofictional Liberties: Tactical Games and Gambits with Nineteenth-century LivesMarie-Luise Kohlke and Christian GutlebenPart 1: Truths and Post-Truths1 “Who in the world am I?”: Truth, Identity and Desire in Biofictional Representations of Lewis Carroll and Alice LiddellCharlotte Boyce2 Fakery and Historical Figures in the Flashman PapersMatthew Crofts3 Biofictional Author Figures and Post-authentic TruthsRoberta Gefter Wondrich4 The Silence and the Roar: Resonant Encounters with George EliotLaura Savu WalkerPart 2: Forms of Otherness and (Re-)Othering5 Us and Them? Joseph Merrick in Neo-Victorian Children’s FictionHelen Davies6 The Vivisectionist’s Tale: Auto/Biographical Voice and the Queer Fictions of Empire in Ann Harries’s Manly PursuitsJeanne Ellis7 Biofiction and Différance: Tracing Threads of (Neo-) Victorian Women Travellers in the Amelia Peabody Emerson SeriesStacey L.Kikendall8 Biofiction Goes Global: Richard Flanagan’s Wanting, Dickens, and the Lost ChildCatherine LanonePart 3: After-Lives of Fame and Infamy9 Polymath Revisited: Cross-lighting R.F. Burton between Cultural Passing and Steampunk ActionSylvia Mieszkowski10 (Re)Tracing Charlotte Brontë’s Steps: Biofiction as Memory Text in Michèle Roberts’sThe MistressclassSonia Villegas-López11 Julia Margaret Cameron and Archival Imagination: Materiality and Subjectivity in Biofictions of a Victorian PhotographerLucy Smith12 Musical Madness: Biofictional Performances of the Lizzie Borden MurdersMarc NapolitanoIndex