Hooda Shawa is Palestinian British author of children’s and young adult literature. She received the Sheikh Zayed Book Award for Children’s Literature in 2008 for The Birds’ Journey to Mount Qaf, the Kuwait Children’s Literature Award in 2017 for The Elephant’s Journey, and the Arab Children’s Book Publishers Forum award in 2023 for The Puppeteer. Her recent work includes the graphic novel Banat ‘Ad (co-written with Laila Qaddumi and illustrated by Ashraf Ghori), the graphic novel Gilgamesh’s Skull (illustrated by Michael Jabareen), and The Donkey who Carried the War on her Back, which was selected for 2025 White Ravens List. Hooda is the founder of TAQA Productions, a production company that produces theater and puppet shows in Kuwait, where she lives.Nour Jaljuli is a translator and poet traversing between the worlds of Arabic and English. She holds an MA in literary translation from the University of East Anglia and is the Arabic translator of Rana Dajani’s Five Scarves. Her English translations have appeared in ArabLit, Middle East Eye, and the 2022 UEA MALT Anthology for which she was also co-editor.Sawad Hussain is a translator from Arabic whose work has been recognised by English PEN, the Anglo-Omani Society and the Saif Ghobash Banipal Prize for Arabic Literary Translation, among others. She is a judge for the Palestine Book Awards and the 2023 National Translation Award. She has run translation workshops under the auspices of Shadow Heroes, Africa Writes, Shubbak Festival, the Yiddish Book Center, the British Library, and the National Centre for Writing. Her most recent translations include Black Foam by Haji Jaber (AmazonCrossing) and What Have You Left Behind by Bushra al-Maqtari (Fitzcarraldo Editions). She was selected to be the Princeton Translator in Residence in 2025. She is based in Cambridge, U.K. and her website is sawadhussain.com.Nada Esmaeel is a multidisciplinary artist and illustrator based in Charlotte, North Carolina. Born and raised in the United States, her work is heavily influenced by her continued exploration and reconnection to her Palestinian heritage, often inspired by and invoking the vibrant colors and geometric motifs of traditional Palestinian tatreez in her artwork. Nada’s personal work focuses on the celebration of repressed cultural history, women, tradition, and connections between land and people.

“A beautifully interwoven story about loss and making, about history and color, about the tragedy and genius of world-building in the aftermath of great rupture. I was so heartened, so moved, by The Necklace of Seven Souls.”— Safia Elhillo, author of Bright Red Fruit and Home Is Not a Country“Romantic and suffused with longing, [The Necklace of Seven Souls] is a luminous exploration of displacement, memory, and the Palestinian diaspora.”— Publishers Weekly, Starred Review"An inspirational book that blends art, mystery, and history in a moving story about identity and belonging."— School Library Journal, Starred Review“Richly descriptive and saturated with color and sensory detail, with beautiful illustrations by Esmaeel that subtly reinforce the work’s cultural grounding. The narrative engages thoughtfully with questions of colonial collecting practices and artistic ownership without sacrificing emotional intimacy. A quiet, contemplative narrative exploring loss, personal history, and self-reclamation.”— Kirkus Reviews"Provides a space of hope and optimism for the continuity of young generations and their ability to move forward, demolish stereotypes, break down barriers, and find a way in which they have features and an identity that resemble them."— Faten Al-Jamal and Mohamed Al-Zaqzouq, Ultra Sawt

Hooda Shawa is Palestinian British author of children’s and young adult literature. She received the Sheikh Zayed Book Award for Children’s Literature in 2008 for The Birds’ Journey to Mount Qaf, the Kuwait Children’s Literature Award in 2017 for The Elephant’s Journey, and the Arab Children’s Book Publishers Forum award in 2023 for The Puppeteer. Her recent work includes the graphic novel Banat ‘Ad (co-written with Laila Qaddumi and illustrated by Ashraf Ghori), the graphic novel Gilgamesh’s Skull (illustrated by Michael Jabareen), and The Donkey who Carried the War on her Back, which was selected for 2025 White Ravens List. Hooda is the founder of TAQA Productions, a production company that produces theater and puppet shows in Kuwait, where she lives.Nour Jaljuli is a translator and poet traversing between the worlds of Arabic and English. She holds an MA in literary translation from the University of East Anglia and is the Arabic translator of Rana Dajani’s Five Scarves. Her English translations have appeared in ArabLit, Middle East Eye, and the 2022 UEA MALT Anthology for which she was also co-editor.Sawad Hussain is a translator from Arabic whose work has been recognised by English PEN, the Anglo-Omani Society and the Saif Ghobash Banipal Prize for Arabic Literary Translation, among others. She is a judge for the Palestine Book Awards and the 2023 National Translation Award. She has run translation workshops under the auspices of Shadow Heroes, Africa Writes, Shubbak Festival, the Yiddish Book Center, the British Library, and the National Centre for Writing. Her most recent translations include Black Foam by Haji Jaber (AmazonCrossing) and What Have You Left Behind by Bushra al-Maqtari (Fitzcarraldo Editions). She was selected to be the Princeton Translator in Residence in 2025. She is based in Cambridge, U.K. and her website is sawadhussain.com.Nada Esmaeel is a multidisciplinary artist and illustrator based in Charlotte, North Carolina. Born and raised in the United States, her work is heavily influenced by her continued exploration and reconnection to her Palestinian heritage, often inspired by and invoking the vibrant colors and geometric motifs of traditional Palestinian tatreez in her artwork. Nada’s personal work focuses on the celebration of repressed cultural history, women, tradition, and connections between land and people.

“A beautifully interwoven story about loss and making, about history and color, about the tragedy and genius of world-building in the aftermath of great rupture. I was so heartened, so moved, by The Necklace of Seven Souls.”— Safia Elhillo, author of Bright Red Fruit and Home Is Not a Country“Romantic and suffused with longing, [The Necklace of Seven Souls] is a luminous exploration of displacement, memory, and the Palestinian diaspora.”— Publishers Weekly, Starred Review"An inspirational book that blends art, mystery, and history in a moving story about identity and belonging."— School Library Journal, Starred Review“Richly descriptive and saturated with color and sensory detail, with beautiful illustrations by Esmaeel that subtly reinforce the work’s cultural grounding. The narrative engages thoughtfully with questions of colonial collecting practices and artistic ownership without sacrificing emotional intimacy. A quiet, contemplative narrative exploring loss, personal history, and self-reclamation.”— Kirkus Reviews"Provides a space of hope and optimism for the continuity of young generations and their ability to move forward, demolish stereotypes, break down barriers, and find a way in which they have features and an identity that resemble them."— Faten Al-Jamal and Mohamed Al-Zaqzouq, Ultra Sawt

Hooda Shawa is Palestinian British author of children’s and young adult literature. She received the Sheikh Zayed Book Award for Children’s Literature in 2008 for The Birds’ Journey to Mount Qaf, the Kuwait Children’s Literature Award in 2017 for The Elephant’s Journey, and the Arab Children’s Book Publishers Forum award in 2023 for The Puppeteer. Her recent work includes the graphic novel Banat ‘Ad (co-written with Laila Qaddumi and illustrated by Ashraf Ghori), the graphic novel Gilgamesh’s Skull (illustrated by Michael Jabareen), and The Donkey who Carried the War on her Back, which was selected for 2025 White Ravens List. Hooda is the founder of TAQA Productions, a production company that produces theater and puppet shows in Kuwait, where she lives.Nour Jaljuli is a translator and poet traversing between the worlds of Arabic and English. She holds an MA in literary translation from the University of East Anglia and is the Arabic translator of Rana Dajani’s Five Scarves. Her English translations have appeared in ArabLit, Middle East Eye, and the 2022 UEA MALT Anthology for which she was also co-editor.Sawad Hussain is a translator from Arabic whose work has been recognised by English PEN, the Anglo-Omani Society and the Saif Ghobash Banipal Prize for Arabic Literary Translation, among others. She is a judge for the Palestine Book Awards and the 2023 National Translation Award. She has run translation workshops under the auspices of Shadow Heroes, Africa Writes, Shubbak Festival, the Yiddish Book Center, the British Library, and the National Centre for Writing. Her most recent translations include Black Foam by Haji Jaber (AmazonCrossing) and What Have You Left Behind by Bushra al-Maqtari (Fitzcarraldo Editions). She was selected to be the Princeton Translator in Residence in 2025. She is based in Cambridge, U.K. and her website is sawadhussain.com.Nada Esmaeel is a multidisciplinary artist and illustrator based in Charlotte, North Carolina. Born and raised in the United States, her work is heavily influenced by her continued exploration and reconnection to her Palestinian heritage, often inspired by and invoking the vibrant colors and geometric motifs of traditional Palestinian tatreez in her artwork. Nada’s personal work focuses on the celebration of repressed cultural history, women, tradition, and connections between land and people.

“A beautifully interwoven story about loss and making, about history and color, about the tragedy and genius of world-building in the aftermath of great rupture. I was so heartened, so moved, by The Necklace of Seven Souls.”— Safia Elhillo, author of Bright Red Fruit and Home Is Not a Country“Romantic and suffused with longing, [The Necklace of Seven Souls] is a luminous exploration of displacement, memory, and the Palestinian diaspora.”— Publishers Weekly, Starred Review"An inspirational book that blends art, mystery, and history in a moving story about identity and belonging."— School Library Journal, Starred Review“Richly descriptive and saturated with color and sensory detail, with beautiful illustrations by Esmaeel that subtly reinforce the work’s cultural grounding. The narrative engages thoughtfully with questions of colonial collecting practices and artistic ownership without sacrificing emotional intimacy. A quiet, contemplative narrative exploring loss, personal history, and self-reclamation.”— Kirkus Reviews"Provides a space of hope and optimism for the continuity of young generations and their ability to move forward, demolish stereotypes, break down barriers, and find a way in which they have features and an identity that resemble them."— Faten Al-Jamal and Mohamed Al-Zaqzouq, Ultra Sawt