Necessary Noise is a timely ethnographic work that brings the east of Congo into the scholarship on African music. As it engages music textual and filmic analysis for further insight into how art functions as a tool for social engagement and change, it would benefit music and film enthusiasts as well as those engaged in anthropological work, Development studies and African studies. The author leaves no stone unturned in fleshing out critical points relating to film, music, voice, social engagement and power among other aspects. The heavy critique of international NGOs may on the surface appear as one-sided; however, it should be lauded as the willingness of one scholar to tell the naked truth.