Near Dark

Stacey Abbott is Reader in Film and Television Studies at University of Roehampton London, UK.Her most recent publications include Undead Apocalypse: Vampires and Zombies in the 21st Century (2016), TV Horror: Investigating the Dark Side of the Small Screen (I.B. Tauris, 2013), co-written with Lorna Jowett, and Supernatural: TV Goes to Hell (2011), co-edited with David Lavery from Middle Tennessee State University. televisual vampire. She was the Series Editor for the Investigating Cult TV series at I.B. Tauris, comprising sixteen books. Between 2014-2016, she was the President of the Whedon Studies Association and before joining the University of Roehampton, she worked as an Education Officer for the British Film Institute, organising lectures, seminars and conferences as part of the public cinema programme at BFI Southbank.

• Acknowledgments 1 ‘Just a Couple More Minutes of Your Time, About the Same Duration as the Rest of Your Life’: Making a Cult Vampire Film2 ‘The Sun is On the Rise’: A New Gothic Aesthetic3 ‘Finger Lickin’ Good’: Genre Hybridity and the Action Vampire4 ‘No You’ve Never Met Another Girl Like Me’: The Sympathetic, Not-So-Reluctant Vampire 5 ‘Fun Times’: Disrupting Narrative Resolution and Resisting the Status QuoNotesCredits

Near Dark is long overdue a critical reappraisal. In this lucid, accessible and scrupulously-researched book Stacey Abbott makes a compelling case for the film's importance as pivotal to both the vampire genre and Katherine Bigelow's career. Abbott's analysis is perspicacious and always illuminating: I came away with a renewed sense of why I Ioved the film in the first place and a fresh understanding of its continuing transgressive potential.