Rebecca Romdhani is a lecturer at the University of Liège, Belgium.Daria Tunca works in the Modern Languages Department of the University of Liège.The authors are members of the postcolonial research group CEREP (http://www.cerep.uliege.be)

• Introduction: Locating the Mutations of Colonial Violence in the Postcolonial WorldRebecca Romdhani and Daria Tunca Section 1: Intimate and Gender Violence1 Ethics, Representation, and the Spectacle of Violence in Marlon James’s Short Fiction and the August Town Fiction of Kei MillerSuzanne Scafe2 Narrating Jamaican and Cypriot Colonial Legacies: Postcolonial Pathologies of Violence in Alecia McKenzie’s "Satellite City" and Nora Nadjarian’s "Okay, Daisy, Finish"Petra Tournay–Theodotou3 Unscrambling the "Grammar of Violence": Sexual Assault and Emotional Vulnerability in Chimamanda Ngozi Adichie’s AmericanahDaria Tunca4 Violating Virgins: Symbolic Violence in Tiphanie Yanique’s Land of Love and DrowningRebecca RomdhaniSection 2: Violence and War5 Reading Testimony: Congolese Civil War and the Trauma of Rape in Dramatic Performances and FictionVéronique Bragard6 An Uneasy Alliance: War, Violence, and Masculinity in Contemporary Sri Lankan TheatreNeluka Silva7 Cinematic Representations of South African Gang Violence: Enclosed Spaces and Turf WarsRiaan OppeltSection 3: Violence on the Move 8 Abjected Bodies: The Bogus Woman and British New Slaveries in the Context of Postcolonial StudiesPietro Deandrea9 Violence, Trauma, and the Question of Redemption in Postcolonial Zimbabwe: Petina Gappah’s The Book of MemoryLaura Beck10 Of Systemic Violence, Addressivity, and "the Oil Encounter": Representing the Gulf’s Indian Diaspora in Benyamin’s Goat DaysDelphine Munos11 Environmental Violence in Australia: The Effects of Mining and Its Representation in the Indigenous Australian Film Satellite BoyVictoria HercheList of Contributors

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Rebecca Romdhani is a lecturer at the University of Liège, Belgium.Daria Tunca works in the Modern Languages Department of the University of Liège.The authors are members of the postcolonial research group CEREP (http://www.cerep.uliege.be)

• Introduction: Locating the Mutations of Colonial Violence in the Postcolonial WorldRebecca Romdhani and Daria Tunca Section 1: Intimate and Gender Violence1 Ethics, Representation, and the Spectacle of Violence in Marlon James’s Short Fiction and the August Town Fiction of Kei MillerSuzanne Scafe2 Narrating Jamaican and Cypriot Colonial Legacies: Postcolonial Pathologies of Violence in Alecia McKenzie’s "Satellite City" and Nora Nadjarian’s "Okay, Daisy, Finish"Petra Tournay–Theodotou3 Unscrambling the "Grammar of Violence": Sexual Assault and Emotional Vulnerability in Chimamanda Ngozi Adichie’s AmericanahDaria Tunca4 Violating Virgins: Symbolic Violence in Tiphanie Yanique’s Land of Love and DrowningRebecca RomdhaniSection 2: Violence and War5 Reading Testimony: Congolese Civil War and the Trauma of Rape in Dramatic Performances and FictionVéronique Bragard6 An Uneasy Alliance: War, Violence, and Masculinity in Contemporary Sri Lankan TheatreNeluka Silva7 Cinematic Representations of South African Gang Violence: Enclosed Spaces and Turf WarsRiaan OppeltSection 3: Violence on the Move 8 Abjected Bodies: The Bogus Woman and British New Slaveries in the Context of Postcolonial StudiesPietro Deandrea9 Violence, Trauma, and the Question of Redemption in Postcolonial Zimbabwe: Petina Gappah’s The Book of MemoryLaura Beck10 Of Systemic Violence, Addressivity, and "the Oil Encounter": Representing the Gulf’s Indian Diaspora in Benyamin’s Goat DaysDelphine Munos11 Environmental Violence in Australia: The Effects of Mining and Its Representation in the Indigenous Australian Film Satellite BoyVictoria HercheList of Contributors

Select Guide Rating

Rebecca Romdhani is a lecturer at the University of Liège, Belgium.Daria Tunca works in the Modern Languages Department of the University of Liège.The authors are members of the postcolonial research group CEREP (http://www.cerep.uliege.be)

• Introduction: Locating the Mutations of Colonial Violence in the Postcolonial WorldRebecca Romdhani and Daria Tunca Section 1: Intimate and Gender Violence1 Ethics, Representation, and the Spectacle of Violence in Marlon James’s Short Fiction and the August Town Fiction of Kei MillerSuzanne Scafe2 Narrating Jamaican and Cypriot Colonial Legacies: Postcolonial Pathologies of Violence in Alecia McKenzie’s "Satellite City" and Nora Nadjarian’s "Okay, Daisy, Finish"Petra Tournay–Theodotou3 Unscrambling the "Grammar of Violence": Sexual Assault and Emotional Vulnerability in Chimamanda Ngozi Adichie’s AmericanahDaria Tunca4 Violating Virgins: Symbolic Violence in Tiphanie Yanique’s Land of Love and DrowningRebecca RomdhaniSection 2: Violence and War5 Reading Testimony: Congolese Civil War and the Trauma of Rape in Dramatic Performances and FictionVéronique Bragard6 An Uneasy Alliance: War, Violence, and Masculinity in Contemporary Sri Lankan TheatreNeluka Silva7 Cinematic Representations of South African Gang Violence: Enclosed Spaces and Turf WarsRiaan OppeltSection 3: Violence on the Move 8 Abjected Bodies: The Bogus Woman and British New Slaveries in the Context of Postcolonial StudiesPietro Deandrea9 Violence, Trauma, and the Question of Redemption in Postcolonial Zimbabwe: Petina Gappah’s The Book of MemoryLaura Beck10 Of Systemic Violence, Addressivity, and "the Oil Encounter": Representing the Gulf’s Indian Diaspora in Benyamin’s Goat DaysDelphine Munos11 Environmental Violence in Australia: The Effects of Mining and Its Representation in the Indigenous Australian Film Satellite BoyVictoria HercheList of Contributors

Select Guide Rating