Häftad, Engelska, 2015
Del i serien Modern Plays
My People
279 kr
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Beskrivning
Produktinformation
- Utgivningsdatum: 2015-11-05
- Mått: 129 x 198 x 15 mm
- Vikt: 104 g
- Format: Häftad
- Språk: Engelska
- Serie: Modern Plays
- Antal sidor: 96
- Förlag: Bloomsbury Publishing PLC
- Medarbetare: Steffan Donnelly
- ISBN: 9781474286497
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Mer information
Caradoc Evans (1878-1945) was a Welsh novelist, playwright and short story writer. Perhaps best known for his first collection, My People, his writing was villified by the popular press and celebrated by the literary world, with comparisons made to Balzac and Joyce, and Dylan Thomas listing him as one of his early influences. Writing in an English that was heavily influenced by Welsh grammar and vocabulary, his work sought to puncture the myths of quotidian life in Wlaes, juextaposing religiosity with the fearsome poverty in which people existed. Steffan Donnelly is an actor, writer and artistic director of Invertigo Theatre Company. As an actor, his theatre credits include Shakespeare’s Globe (including a world tour), Barbican Centre, Theatr Clwyd, HighTide Festival Theatre (Nominated Off West End Award 2017 for Best Male Performance in Pilgrims), and screen credits include Darkest Hour and BBC’s London Spy. He is a creative associate of the National Youth Theatre and Pontio Arts and Innovation Centre. His productions with Invertigo have toured the UK to great acclaim winning the Deutsche Bank Award for Creative Enterprises, Scottish Daily MailAward, Charlie Hartill Special Reserve, as well as three Wales Theatre Award 2016 nominations. His 2015 adaptation of Caradoc Evans’s My People (“acid-sharp prose, biting humour … clever adaptation”, Observer) and My Body Welsh (2016), which he co-authored with Tara Robinson, are both published by Bloomsbury Methuen Drama.
Recensioner i media
It was the hardline pieties of chapel life for which [Evans] reserved his greatest rancour - a point well illustrated in Steffan Donnelly's adaptation . . . intense . . . Donnelly . . . weaves the tales into a form of increasingly nightmarish, collective hallucination that culminates in a bizarre beach party in which the deacons dance around in their swimwear.
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