My Autobiography of Carson McCullers

Häftad, Engelska, 2022

AvJenn Shapland

189 kr

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FINALIST FOR THE NATIONAL BOOK AWARD'Fascinating and intimate' OBSERVER'Lucid, distilled, honest' MAGGIE NELSON'Gorgeous, symphonic, tender' CARMEN MARIA MACHADOHow do you tell the real story of someone misremembered - an icon and idol - alongside your own?Jenn Shapland's celebrated debut is both question and answer: an immersive, surprising exploration of one of America's most beloved writers, alongside a genre-defying examination of identity, queerness, memory and love. Interweaving her own story with McCullers', Shapland shows us how the writers we love and the stories we tell about ourselves make us who we are.'A moving record of love at the margins' NEW YORKER'A call to arms to reappraise past lives' THE TIMES

Produktinformation

Utgivningsdatum2022-04-07
Mått126 x 196 x 28 mm
Vikt228 g
FormatHäftad
SpråkEngelska
Antal sidor288
FörlagLittle, Brown Book Group
ISBN9780349015682

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Biografier inom Biografier

Jenn Shapland is a writer and archivist living in New Mexico. Her first book, My Autobiography of Carson McCullers, was a finalist for the National Book Award and the Lambda Literary award. Her essays have won a Pushcart Prize, a Rabkin Foundation Award for art journalism, and a Howard Foundation Fellowship. She has a PhD in English from the University of Texas at Austin and is currently writing a collection of essays called Thin Skin.

Weaves together biography and memoir . . . Shards of the author's own life glitter amid the story of McCullers's triumphs and struggles . . . A lively cast of walk-on characters includes Tennessee Williams, Elizabeth Bowen, Edith Sitwell and Robert Lowell . . . But it is Shapland's identification with her subject that energises the book . . . Only an accomplished writer could marshal this tricky material in order to enmesh two stories. The reader sees McCullers afresh in these pages . . . The politics of female queerness are central to this book, and Shapland handles the subject adroidy. At the same time, this volume, which I admire and recommend without reservation, speaks clearly and universally of the human heart, and specifically of the human heart in conflict with itself