Music's Making

Michael Cherlin is Professor Emeritus of Music Theory and Composition at the University of Minnesota. He is the author of Schoenberg's Musical Imagination and Varieties of Musical Irony: From Mozart to Mahler.

• ForewordPhil FordPrefaceIntroduction: Remembering David Benjamin LewinPart I 1. Music as Fiction2. That Which Emerges out of Itself, That Which Is Created3. Moving toward Middle Voice4. Liminal Space5. An Ethics of Intersubjectivity6. Character, Canon, and Poetic InfluencePart II 7. Phrase as Musical Event, Wave as Musical Metaphor, and the Silence of Musical Space8. Metric, Ametric, Fractured Meter, and a Sea of Silence9. Smooth Space, Striated Space: Nomadic Space, Agrarian Space10. What Repetition Can Do: Time's Arrows11. The Horizontal and the Vertical: Worldly and SpiritualNotesBibliographyIndex

"…the book has an easy flow that creates a space to listen and think about music in a slightly different way…" — Notes: the Quarterly Journal of the Music Library Association"This, to my mind is the most fundamental aspect of the book: incredibly clear organization and writing, helpfully filling in the steps we might otherwise overlook. In the end, what we get is virtually an encyclopedia of the philosophy and practice of music as seen through the perceptive eyes and ears of the author … an excellent book, by a first-rate author, who in the memorable words of his former student, Phil Ford, has 'forgotten more about music, music theory, poetry, fiction, literary theory, philosophy, and religion' than the rest of us will ever learn." — Yuval"This book exists along the interstice between disciplines, shedding the skin of 'academia' and the 'business' of teaching, Cherlin returns us to the real work of pedagogy, not only to the art and science of learning, to enquiry, but to the crucial relationship between the 'text' and 'tradition'. … what evolves is a musical intelligence born of experience, a passionate cantillation, which invokes a poetics of music. Drawing on a seemingly disparate set of references Cherlin leaves few doubts, the only direction is 'deeper' and from liminal spaces he'll guide you there." — James Dillon, five-time recipient of the Royal Philharmonic Society (RPS) Music Award for Chamber-Scale Composition"It is hard to imagine a more thoughtful book, imbued with a lifetime of profound philosophical meditations and musical experiences, as well as religious practices. The author's personal touch makes the book seem like a memoir about long-lasting intellectual friendships, or like a captivating seminar with many of the last century's leading thinkers." — Scott Burnham, Department of Music, CUNY Graduate Center