Musicians and Copyright

Nyhet

A History of Collective Rights Management in the Music Industry

Inbunden, Engelska, 2026

AvVéronique Pouillard,Marius Buning,Mala Loth,Veronique Pouillard

479 kr

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Musicians and Copyright explores the role of Collective Management Organizations (CMOs) in shaping the music industry from the mid-nineteenth century to today. Edited by VéroniquePouillard, Marius Buning, and Mala Loth, the book traces the development of CMOs and their impact on copyright and cultural production. Through historical analysis, it examines the challenges CMOs have faced, from colonial contexts to European integration and the digital age, and shows how CMOs have navigated regulatory changes, technological shifts, and internal politics. Offering a detailed history of these important institutions, Musicians and Copyright is a valuable resource for anyone interested in the intersection of music, law, and the cultural industries.

Produktinformation

Utgivningsdatum2026-03-24
Mått156 x 234 x 17 mm
Vikt587 g
FormatInbunden
SpråkEngelska
Antal sidor292
FörlagManchester University Press
ISBN9781526180148

Tillhör följande kategorier

Media och underhållning inom Ekonomi och ledarskap
Rättshistoria inom Juridik
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IntroductionVéronique Pouillard, Marius Buning, and Mala Loth1. The drama of music: performance rights in the wake of industrial liberalisation, Paris 1851–1898Anna Marie Skråmestø Nesheim2. Confederation or corporation? Ideological and organisational visions in CISAC’s ‘Mechanical Rights Federation’ 1933–1939Johan Larson Lindal3 The politicization of copyright on the international stage: Fascist Italy and the foundation of CISACMalte Zill 4. Genealogies of copyright tariffsJose Bellido and Fiona Macmillan5. The colonial expansion of the Belgian collective management society SABAM and music copyright in Congo, Rwanda and Burundi (1950s–1960s)Véronique Pouillard6. Collecting the traditional Kabyle music of Algeria in decolonisation time: Taos Amrouche, Yvette Grimaud and UNESCO (1950s–1960s)Minja Mitrovic and Véronique Pouillard7. Licensing conflicts: bureaucracy and bickering in the GEMA ‘family’, 1949–1962Klaus Nathaus8. Competing Futures: GEMA, the European Commission, and Copyright Law, 1962–1972Mala Loth9. Performer’s Rights – A child of technology and a stepchild of copyrightIrina Eidsvold-Tøien