Musical Voyager: Berlioz in Europe

The Editors: David Charlton is Professor of Music History at Royal Holloway, University of London, and a member of the Editorial Board of the New Berlioz Edition.Katharine Ellis is Professor of Music at Royal Holloway, University of London, and Director of the University of London’s Institute of Musical Research.

• Contents: Christina Bashford: More than Dedication? Hector Berlioz and John Ella – George Biddlecombe: Berlioz and the London Musical Scene – Gabriella Dideriksen: Benvenuto Cellini and the Politics of Opera Production in Mid-Victorian London – Sarah Hibberd: Berlioz’s Waterloo? Benvenuto Cellini in London – Mark A. Pottinger: The Breslau Concert Tour of 1846: Provincial German Insights into Berlioz’s Music and Aesthetic – Linda Edmondson: Berlioz and Cultural Politics in Mid-Nineteenth-Century Russia – Elena Dolenko: Hector Berlioz as Reflected in the Russian Press of his Time – Ian Rumbold: Berlioz and Le Freyschütz – Michael Fend: The Diabolical in Berlioz’s La damnation de Faust – Vera Micznik: The Musico-Dramatic Narrative of Berlioz’s Lélio – Peter Raby: Shakespeare in Paris, 1827 – Rainer Schmusch: Shakespeare and the Genesis of Programme Music: the Mottoes of Berlioz’s Huit scènes de Faust – Katherine Kolb: Berlioz’s Othello.