Musical Scenes and Social Class

This volume considers the relationship among punk, metal, and the politics of social class in Britain and France. Contributions from a range of disciplines are organized into three thematic sections. The first section addresses the volume's core issue, class domination and agency in the genres' origins in the 1970s and 1980s. The second section examines the sub-divisions within both the punk and metal scenes, both from the early days of these scenes in the 1970s and in the contemporary period, in an attempt to grasp the relations between social change and the constant historical process of division and reconfiguration into ever-evolving subcultures or sub-scenes. The third section deals with the most contemporary evolutions among punk and metal audiences, focusing on issues of ageing, feminization and, possibly, what one may tentatively seek to address as a possible gentrification. This collection of chapters shows both the persistence of at least some aspects of working-class or social underdog or proud pariah value-systems of these subcultures throughout different stages of their histories, while also highlighting the current trend towards a form of gentrification of both punk and metal.