Inbunden, Engelska, 2020
Del 27 i serien Music in Britain, 1600-2000
Music in North-East England, 1500-1800
Av Stephanie Carter, Stephanie Carter, Kirsten Gibson, Roz Southey
2349 kr
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Beskrivning
Produktinformation
- Utgivningsdatum: 2020-10-16
- Mått: 156 x 234 x 28 mm
- Vikt: 750 g
- Format: Inbunden
- Språk: Engelska
- Serie: Music in Britain, 1600-2000
- Antal sidor: 342
- Förlag: Boydell & Brewer Ltd
- ISBN: 9781783275410
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Mer information
Dr STEPHANIE CARTER is a Research Associate on 'Music, Heritage, Place: Unlocking the Musical Collections of England's County Records Offices', an AHRC-funded collaborative project between Royal Holloway, University of London, and Newcastle University. Her research focuses on musical culture in early modern England, particularly around music ownership, circulation and trade. She is also Archivist/Librarian at Carlisle Cathedral. KIRSTEN GIBSON is Senior Lecturer and Head of Music at Newcastle University. ROZ SOUTHEY is a music historian and novelist. BARBARA CROSBIE is Assistant Professor in Early Modern Social History at Durham University and co-edited (with Adrian Green) Economy and Culture in North-East England, 1500-1800 (Boydell Press, 2018). KIRSTEN GIBSON is Senior Lecturer and Head of Music at Newcastle University. ROZ SOUTHEY is a music historian and novelist. Dr SIMON D.I. FLEMING is a Durham-based musicologist with an interest in eighteenth-century British music. He worked extensively with subscribers' lists which led to the formation of the Dataset of Subscribers (https://musicsubscribers.co.uk/) and the joint editing of a multi-author book, Music by Subscription: Composers and Their Networks in the British Music-Publishing Trade, 1676-1820 (2022). Dr STEPHANIE CARTER is a Research Associate on 'Music, Heritage, Place: Unlocking the Musical Collections of England's County Records Offices', an AHRC-funded collaborative project between Royal Holloway, University of London, and Newcastle University. Her research focuses on musical culture in early modern England, particularly around music ownership, circulation and trade. She is also Archivist/Librarian at Carlisle Cathedral.
Recensioner i media
A refreshing aspect of this study is the presentation of these centres of musical activity in their local and regional context, rather than through their relationship with London, and the exploration of musical transmission which bypassed the capital altogether. . . . As a study of music in the region the volume reflects the diversity and history of the subject while leaving the reader hungry for more, and provides a worthy model for studies of music in other parts of England.
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