Music and Visual Culture in Renaissance Italy

Inbunden, Engelska, 2023

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The chapters in this volume explore the relationship between music and art in Italy across the long sixteenth century, considering an era when music-making was both a subject of Italian painting and a central metaphor in treatises on the arts. Beginning in the fifteenth century, transformations emerge in the depiction of music within visual arts, the conceptualization of music in ethics and poetics, and in the practice of musical harmony. This book brings together contributors from across musicology and art history to consider the trajectories of these changes and the connections between them, both in theory and in the practices of everyday life.In sixteen chapters, the contributors blend iconographic analysis with a wider range of approaches, investigate the discourse surrounding the arts, and draw on both social art history and the material turn in Renaissance studies. They address not only paintings and sculpture, but also a wide range of visual media and domestic objects, from instruments to tableware, to reveal a rich, varied, and sometimes tumultuous exchange among musical and visual arts and ideas. Enriching our understanding of the subtle intersections between visual, material, and musical arts across the long Renaissance, this book offers new insights for scholars of music, art, and cultural history.Chapter 15 and Chapter 11 of this book is freely available as a downloadable Open Access PDF at http://www.taylorfrancis.com under a Creative Commons Attribution-Non Commercial-No Derivatives (CC-BY-NC-ND) 4.0 license.

Produktinformation

Utgivningsdatum2023-05-24
Mått152 x 229 x 25 mm
Vikt725 g
FormatInbunden
SpråkEngelska
SerieMusic and Visual Culture
Antal sidor368
FörlagTaylor & Francis Ltd
ISBN9780367465391

Tillhör följande kategorier

Klassisk musik, konstmusik och orkestermusik inom Kultur
Konsthistoria inom Kultur

IntroductionChriscinda Henry and Tim ShephardPART IKnowledge and Practice Across Disciplines1. "A Body Composed of Many Parts": The Concept of Harmony in Leonardo da Vinci’s ParagoneDavid E. Cohen 2. Aporia and the Harmonious SubjectTim Shephard3. Singing Sibyls: Music, Inspiration, Labour, and Art on the Sistine Chapel CeilingBarnaby Nygren4. Musical Self-Portraits by Garofalo, Anguissola, and FontanaSamantha Chang5. Dangerous Music at the Accademia di San Luca and Federico Zuccaro’s "Art" of CensorshipLeslie Korrick6. Il Figino and the ParagoneAntonio Cascelli7. The Tuning Figure in Early Modern Art 1350-1700Francois Quiviger8. The Flow of Time and Feelings in Evaristo Baschenis’ Still Lifes with InstrumentsGioia FilocamoPART IICultures of Everyday Life9. The Iconography of Dancing on Renaissance Wedding ChestsJasmine Marie Chiu10. Visible and Invisible Musical Paths in Federico da Montefeltro's Gubbio StudioloNicoletta Guidobadi11. The Convergence of Sacred and Secular in Vittore Carpaccio’s British Museum ConcertChriscinda Henry12. The Artist and Artistry of the "Capirola Lutebook"Victor Coelho13. No Country for Old Men? Aging and Men’s Musicianship in Italian Renaissance ArtSanna Raninen14. Music, the Visual and the Material in an Italian Renaissance BasinFlora Dennis15. Fantastic Finials: Carved Scrolls and Headstocks of Renaissance Stringed InstrumentsEmanuela Vai16. The "Author’s Portrait" in Early Modern Italian Music BooksMassimo Privitera

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