Del 22 i serien Yearbook of the Research Centre for German and Austrian Exile Studies

Music and Exile

From 1933 to the Present Day

Häftad, Engelska, 2023

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How did exiled musicians from Germany and Austria, who reached safety at Kitchener Camp in Britain, find themselves in an Australian internment camp in New South Wales in 1940? What were the institutions that helped Jewish refugee musicians survive in wartime Shanghai? What happened to Austrian musicians who were trapped in the Netherlands after the German occupation? These and other questions, and the larger stories they refer to, form the compelling content of this book. Other topics include the struggle of the Vienna operetta composers Granichstaedten and Katscher in USA, the relationship of émigré composer Berthold Goldschmidt to his native Hamburg and the reception of his ‘exile opera’ Beatrice Cenci. Studies of Mischa Spoliansky’s music for the movie Mr. Emmanuel(1944) and Franz Reizenstein’s radio opera Anna Kraus form part of the fourteen essays on exile musical history in Britain, Europe, USA, Australia and the Far East, based on cutting edge archival research and interviews by leading scholars.

Produktinformation

Utgivningsdatum2023-03-09
Mått155 x 235 x 19 mm
Vikt551 g
FormatHäftad
SpråkEngelska
SerieYearbook of the Research Centre for German and Austrian Exile Studies
Antal sidor310
FörlagBrill
ISBN9789004540651

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Europas historia inom Historia och arkeologi

Malcolm Miller, musicologist and pianist, is Honorary Associate and Associate Lecturer at the Open University, UK. He received his doctorate at King’s College London and has published widely on Beethoven, Wagner and contemporary music. His essay ‘Music as Memory: British Émigré Composers and their Wartime Experience’ appears in The Impact of Nazism on Twentieth-Century Music (Böhlau Verlag, 2014). Jutta Raab Hansen, Dr phil (1995), Hamburg University, has published on musicians’ exile in Great Britain, including NS-verfolgte Musiker in England: Spuren deutscher und österreichischer Flüchtlinge in der britischen Musikkultur (von Bockel, 1996) and Elena Gerhardt: Mein Lieder-Leben. Memorien, transl., edited, commented, Kamprad, 2012.

List of FiguresNotes on ContributorsIntroduction: Music and Exile: From 1933 to the Present DayMalcolm Miller and Jutta Raab Hansen1 The Musical Identity of the Austrian ExileMichael Haas2 An Ambiguous Story – Austrian Music Exile in the NetherlandsPrimavera Driessen Gruber3 Vom Kitchener Camp in australische Wüstenlager: Der Weg jüdischer Exil-Musiker über Großbritannien nach Down UnderAlbrecht Dümling4 Creation of Jobs, Union Work and Cooperation: The Institutionalisation of Musical Life by the European Jewish Artist Society, the Shanghai Musicians Association, and the Association of Jewish Precentors in the Shanghai Exile, 1938–49Sophie Fetthauer5 ‘A State of Crass Ideological Confusion’: Avant-Garde Music and Antisemitism in the Free German League of CultureFlorian Scheding6 ‘Almost as Impressive as Its Legacy in the Visual Arts’: Ben Uri Art Society and Music in Exile, 1931–60Rachel Dickson7 Goldschmidt and HamburgPeter Petersen8 Preisgekrönt und doch kein Glück? Anmerkungen zu Berthold Goldschmidts Belcanto-Oper Beatrice CenciBarbara Busch9 ‘A Place of Refuge in Your Arms’: Reizenstein’s Anna Kraus as Holocaust OperaMalcolm Miller10 Von großen Erfolgen in der Zwischenkriegszeit zu relativer Vergessenheit: Die Komponisten Bruno Granichstaedten und Robert Katscher im ExilHanja Dämon11 Encounters with the Émigré Experience: Discovering the Chamber Music and Songs of Peter GellhornNorbert Meyn12 Visits in Four Cities: Stations in the Musical and Familial Life of the Song Composer Max Kowalski (1882–1956)Nils Neubert13 Der österreichische Musiker Ferdinand Rauter als Musiktherapeut in Camphill bei Aberdeen in Schottland (1945 bis 1947)Jutta Raab Hansen14 Mischa Spoliansky’s Music for the Movie Mr. Emmanuel (1944)Jörg ThuneckeIndex