Museum Learning

Jill Hohenstein is Senior Lecturer in Psychology in Education at the School of Education, Communication and Society, King’s College London. Trained as a developmental psychologist, her research examines the ways that children and adults learn in informal settings, including museums, with a particular focus on language and cognitive development.Theano Moussouri is Senior Lecturer in Museum Studies at the Institute of Archaeology, University College London. She previously worked in museums as an audience researcher. Her current research examines motivation and meaning-making in museum visitors and non-visitors; museum professionals’ development and sharing of knowledge; and researcher-practitioner collaborative research.

• Acknowledgements, List of Contributors, Chapter 1 Introduction, References; Chapter 2 Theory and Museum Practice, What’s in a theory?, What are they good for?, Where do they come from?, Theories about learning, Constructivism as an illustrated case, References; Chapter 3 The Importance of Methods and Methodology for Museum Practice, Philosophical background to research, Approaches to research, Methods of research, Trustworthiness and transferability, Summary, References, Topic Chapters; Chapter 4 Museums and the Making of Meaning, Do Jews have a rule against gay or lesbian people?, Introduction, The basics of meaning making, Meaning making in the museum, A return to the Jewish Museum, Contextualising meaning making, References; Chapter 5 Narrative, Discourse, and Matters of Communication, Experiences on Room 41, Introduction, The basics of discourse and narrative, Narrative and the museum perspective, Museum research drawing upon the visitor perspective, A return to Room 41, Contextualising narrative, discourse, and communication, References; Chapter 6 Degrees of Authenticity in Museums, Authentic nature play at the Chicago Botanic Garden, Introduction, The basics of authenticity, Museums and the perception of authenticity, Summary and reflections, A return to the Learning Campus at CBG, Contextualising authenticity, References; Chapter 7 Remembering, Reminding, and Reminiscing in Museums, Build your own bush bark hut, Introduction, Basics of personal constructs of memory, Basics of constructs about collective memory, Museums and memory studies, A return to the bush bark huts, Contextualising memory, References; Chapter 8 The Role of Self and Identity in Learning, The art of voicing Black women’s identity as seen through everyday objects, Introduction, The basics of identity, Self and identity in the museum context, A return to the Colored Girls Museum, Contextualising self and identity, References; Chapter 9 Motivation: From Visiting to Devotion, Linking up museums and people through serious pursuits, Introduction, The basics of motivation, Motivation in museums, A return to the VIP programme Contextualising motivation, References; Chapter 10 Questioning culture and power in museums, Aboriginal people and museums working together, Introduction, The basics of culture and power, Culture and power in the museum context, A return to museum-Aboriginal communities collaborations, Contextualising culture and power, References; Chapter 11 Conclusions, References, Glossary, Index